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Review of ‘Krapp’s Last Tape’ (2026, Royal Court): “Gary Oldman shines in somber existential play”
I’ve always found it difficult to connect with Samuel Beckett. I don’t deny his genius, but his niche appeal is undeniable, even to his most passionate lovers. That doesn’t make him better or worse. But it’s not easy to analyse a piece that you’re somehow predisposed not to enjoy. There are two reasons why its…
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Writer and performer Ailun Zhou talks debut play ‘Self Tape’: “Casting has started to feel increasingly like a lottery”
Following a five-year collaboration with director Robert Price, the actress premieres her first solo show inspired by her own experiences in the industry. Guillermo Nazara chats with the artist to learn more about the development of the piece and whether its portrayal of audition processes should be regarded as open call to action. How does…
