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    • Guillermo Názara
  • Review of ‘Rhythm Riot’ (Sadler’s Wells, 2026): “Superb middle section and satisfying conclusion make up for clunky opening”

    Review of ‘Rhythm Riot’ (Sadler’s Wells, 2026): “Superb middle section and satisfying conclusion make up for clunky opening”

    This is the kind of show that proves how important it is to return after the interval. It’s not that Act One was appalling. But it wasn’t awe-striking either. Not by the standards of what the English National Ballet has offered us in the past. You can breathe a sigh of relief, however. This is…

    guillermonazarareverter

    30 September, 2026
    English contents, Reviews, Sin categoría
    auguries of innocence, ballet, classical ballet, dance, english national ballet, fred astaire, george balanchine, igor stravinsky, jae man joo, modern dance, musica dolorosa, musica serena, peteris vask, Philip Patrick Harper Bucknor, rhythm riot, sadler’s wells
  • Review of ‘Les Noces – The Departure’: “Scarring allure”

    Review of ‘Les Noces – The Departure’: “Scarring allure”

    The New Movement Collective company presents its latest creation, featuring a blend of classical and contemporary techniques in a new approach to some of the most influential works of the last century. Guillermo Nazara shares his views on the show, to let us know if this experimental montage actually left him dancing on air. I…

    guillermonazarareverter

    15 January, 2024
    English contents, Reviews
    avant garde, classical dance, classical music, contemporary dance, dance, igor stravinsky, les noces, new movement collective, stravinsky, the departure

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