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    • Guillermo Názara
  • Review of ‘The Hunger Games’ (2025 Troubadour Canary Wharf): “Stage adaptation of Suzanne Collins’s best-seller builds a strong appetite but doesn’t clench audience’s thirst”

    Review of ‘The Hunger Games’ (2025 Troubadour Canary Wharf): “Stage adaptation of Suzanne Collins’s best-seller builds a strong appetite but doesn’t clench audience’s thirst”

    The first instalment in the acclaimed book series lands on the London stage in an immersive production featuring lavish numbers and state-of-the-art scenery. Guillermo Nazara shares his views on the show to let us know if this latest dramatisation of the novel and its custom-made theatre are the chosen ones in the district. Yes, the…

    guillermonazarareverter

    13 November, 2025
    English contents, Reviews, Sin categoría
    connor mcpherson, euan garrett, immersive experience, john malkovich, joshua lacey, katniss everdeen, matthew dunster, mia carragher, miriam bluether, president snow, stavros demetraki, suzanne collins, tamsin carrol, the hunger games immersive, the hunger games on stage, the hunger games on stage review, troubadour, troubadour canary wharf
  • Crítica de ‘Trigo Sucio’: “Una crudeza fácil de digerir”

    La nueva comedia de David Mamet aterriza en España tras su estreno mundial en el Garrick Theatre de Londres, en una nueva producción dirigida por Juan Carlos Rubio y con un reparto formado por Nancho Novo, Fernando Ramallo, Eva Isanta y Candela Serrat. Guillermo Názara nos cuenta su visión sobre este montaje, que desde la…

    guillermonazarareverter

    12 May, 2021
    Críticas
    bitter wheat, carla serrat, comedia, comedia negra, david mamet, espectaculos, eva isanta, fernando ramallo, garrick theatre, gran via, john malkovich, juan carlos rubio, london, madrid, pentacion, reina victoria, trigo sucio, west end

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