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Review of ‘La Fille mal gardée’: “Camp au champs”

The Birmingham Royal Ballet revives Sir Frederick Ashton’s signature choreography, in a new production bringing back the charm and whimsies of Hérold’s old-fashioned romantic ballet. Guillermo Nazara shares his views on the show, to let us know if this field work manages to make audiences smell the barn. It’s almost a mathematical certainty that, when…

