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Review of ‘Cleansed’ (2026, Almeida): “Impeccable performance nearly make up for blemished play”

Someone near you will leave during the performance. That, I can guarantee. It’s not because it’s a bad watch. But it’s a tough one — a really tough one. What else can we expect from a play written by Sarah Kane other than shock and narrative uncertainty? Not only don’t we know what’s going to…
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Review of ‘Women, Beware The Devil’: “Hazed darkness”

Hell rises onstage in this original play about ambition, greed and the powers of the occult. Guillermo Nazara reviews this new limited-running production delivered by renowned director Rupert Goold, to share his thoughts on a piece where good and evil are partners in crime.
