marx brothers – First Night Magazine

Review of ‘Dinner with Groucho’: “Too much fandom onstage”

Irish troupe B*spoke Theatre Company lands in London for a strictly limited season to revive its latest gamble, starring two of the greatest artists (of very different kinds) of the last century. Guillermo Názara reviews this new hybrid of play and musical, to share his thoughts on this story dwelling in both the realms of…

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23 November, 2022

English contents, Reviews

adam wiltshire, andrew lloyd webber, arcola theatre, b*spoke theatre company, cats, connor linehan, cultur eirann, dalston, david boiger, dinner with groucho, gabriel o brien, greg hicks, groucho marx, ian bartholomew, ingrid craigie, ireland, irish, joan bergin, london, loveday ingrm, marx brothers, oxford playhouse, paul keogan, ros kavanagh, the civic, ts eliot, west end
Crítica de ‘Dinner with Groucho’: “Demasiado fandom sobre el escenario”

La compañía irlandesa B*spoke Theatre Company aterriza en Londres durante una temporada estrictamente limitada para revivir su última apuesta, protagonizada por dos de los más grandes artistas (de muy distinta índole) del siglo pasado. Guillermo Názara revisa este nuevo híbrido de obra teatral y musical, para compartir sus reflexiones sobre esta historia que habita tanto…

guillermonazarareverter

23 November, 2022

Contenido en español, Críticas

adam wiltshire, andrew lloyd webber, arcola theatre, b*spoke theatre company, cats, connor linehan, cultur eirann, dalston, david boiger, dinner with groucho, gabriel o brien, greg hicks, groucho marx, ian bartholomew, ingrid craigie, ireland, irish, joan bergin, london, loveday ingrm, marx brothers, oxford playhouse, paul keogan, ros kavanagh, the civic, ts eliot, west end

Review of ‘Dinner with Groucho’: “Too much fandom onstage”

Crítica de ‘Dinner with Groucho’: “Demasiado fandom sobre el escenario”