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  • Review of Birmingham Royal Ballet’s ‘The Nutcracker’: “Beauty is the word”

    Review of Birmingham Royal Ballet’s ‘The Nutcracker’: “Beauty is the word”

    The most Christmassy theatre tradition continues to charm audiences during the holidays through its many productions across town. Guillermo Názara reviews one the company’s signature montages, playing for a limited run at London’s Royal Albert Hall – to let us know if the lavishness of the score is matched by those daring to perform it.

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    30 December, 2022
    English contents, Reviews
    arabesque, ballerina, ballet, Birmingham, birmingham royal ballet, christmas, christmas plans, christmassy, classical dance, classical music, dance, fairy tale, family plans, fantasy, john macfarlane, lev ivanov, london, music, nutcracker march, paul murphy, royal albert hall, royal ballet sinfonia, russian dance, simon callow, sir peter wright, sugar plum fairy, tchaikovsky, the nutcracker, trepak, vincent redmon, west end, xmas
  • Review of ‘The Nutcracker’: “The spell can’t be broken”

    Review of ‘The Nutcracker’: “The spell can’t be broken”

    Tchaikovsky’s most family-beloved masterwork returns to many corners of the London scene for the Christmas season. Guillermo Názara reviews the English National Ballet’s take on this charming fairy tale featuring one of the most popular scores in classical music History, to let us know if this holiday treasure has been properly guarded.

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    28 December, 2022
    English contents, Reviews
    ballet, christmas, christmas plans, christmas theatre, enb, english national ballet, english national opera, eno, fairy tale, family, family plans, family theatre, fantasy, i love eno, magic, moscow, musicals, nutcracker, opera, queen of mice, russia, russian conflict, sleeping beauty, st petesburg, sugar plum fairy, swan lake, tchaikovsky, theatre, trepak, west end

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