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Review of ‘The White Chip’: “Mildly inebriating narrative needs little emotional booze-ter”
The Southwark Playhouse hosts the London premiere of Sean Daniels’s semi-biographical play, depicting the trials and tribulations of a man falling into alcoholism and his journey towards recovery. Guillermo Nazara shares his views on the shows to let us know if its spiritual narrative distillates a high degree of pathos. Theatre is imperfect by nature.…
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Review of ‘Groundhog Day’: “Back in black”
London’s Old Vic hosts the return of Tim Minchin’s musical adaptation on the classic 90s comedy hit. Guillermo Nazara shares his thoughts on the production, to let us know if this show left him feeling under the weather. If I could turn back time… Nah, you know what? What’s done is done. I’m strong enough…
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Review of ‘The Lion, the Witch and the Wardrobe’: “Magic beyond the stage”
The timeless fantasy tale returns to the theatre in a brand new production after touring around the UK. Upon attending the opening night, Guillermo Názara shares his impressions on this version of Lewis’ classic, to let us know what is awaiting between the lamp-post and the great castle of Cair Paravel.
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Crítica de ‘El león, la bruja y el armario’: “Magia más allá del escenario”
El atemporal cuento de fantasía vuelve al teatro en una nueva producción después de estar de gira por el Reino Unido. Tras asistir al estreno, Guillermo Názara comparte sus impresiones sobre esta versión del clásico de Lewis, para hacernos saber lo que nos espera entre la farola y el gran castillo de Cair Paravel.
