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Review of ‘Daniel’s Husband’: “Undefined premise delivers an unbalanced marriage of ideas”
The Marylebone Theatre welcomes the London premiere of Michael McKeever’s harrowing play. Guillermo Nazara shares his views on the show to let us know if this tale of unconditional love ends conditioning itself. We don’t need Netflix to tell us these are true events. We don’t even need to watch it to believe in it.…
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Review of ‘The White Chip’: “Mildly inebriating narrative needs little emotional booze-ter”
The Southwark Playhouse hosts the London premiere of Sean Daniels’s semi-biographical play, depicting the trials and tribulations of a man falling into alcoholism and his journey towards recovery. Guillermo Nazara shares his views on the shows to let us know if its spiritual narrative distillates a high degree of pathos. Theatre is imperfect by nature.…
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Review of ‘Ride’: “Off the back”
Cycling icon Annie Londonderry comes back to life in this new musical exploring the achievements of the first female rider to journey all around the world. Guillermo Nazara shares his thoughts on the show, to let us know if this montage will either sweep an audience or be picked by the sweeper car. If we…
