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Review of ‘Martin Guerre’ (Old Vic, 2026): “New revival features more historical accuracy but loses its identity”

It’s never had its way with audiences. The original London production was indeed on for a good couple of years. But that hardly compares to the remarkable success of Boublil and Schönberg’s previous works. Had it opened today in its initial form, it probably wouldn’t have lasted that long. Neither will this newest, heavily altered…
