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    • Guillermo Názara
  • Review of ‘Betty Blue Eyes’: “Happy as a pig in the mud”

    Review of ‘Betty Blue Eyes’: “Happy as a pig in the mud”

    Stiles and Drewe’s farcical musical returns to London in its firs-ever revival since the original West End production over a decade ago. Guillermo Nazara shares his thought on this comedy set during the starvation times of World War II, to let us know what‘s to expect this highly boar-ing show.

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    6 April, 2023
    English contents, Reviews
    a private function, Aaron Clingham, aaron clinghman, aimee mcqueen, alistair lindsay, amelia atherton, Anthony Drewe, ava jennings grant, betty blue eyes, coco bennet, coco bennett, daniel lipman, david pendlebury, emma jane fearnley, fringe theatre, george dawes, George Stiles, georgia boothman, hannah lawton, jade marvin, jayne ashley, johs perry, jonny weston, kane stone, Kasper Cornish, katie stasi, kevin wilson pr, laurel dougall, london, michael mather, Music Theatre International, musical, musicals, nellie regan', novello theatre, Reuben Speed, Ron Cowen, sam kipling, sasha regan, shannon farrell, southwark, stuart simons, theatre and bar, tom holt, union theatre

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