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Review of ‘Ride The Cyclone’: “Funfair-themed musical builds a whirling carousel of songs but the attraction derails”
The Southwark Playhouse hosts the London premiere of Jacob Richmond and Brooke Maxwell’s cult musical. Guillermo Nazara shares his views on the show to let us know if this metaphysical ride is Carnie-gie Hall material. Life is a roller coaster, or so they say. Apparently, death can be too — or at least, what causes…
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Review of ‘Precipice’: “New political musical brings up edgy themes but ends up falling off its own cliff”
London’s New Diorama Theatre hosts the world premiere of the newborn Timelapse’s debut piece, set in a dystopian universe where the Earth’s resources have come to an end. Guillermo Nazara shares his views on the show to let us know if its green message has also led to a green delivery. A few years ago,…
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Artistic Director Michael Walling talks Border Crossings’ 30th-anniversary celebration ‘CHECKPOINT’: “Theatre is an empathy machine”
The company honours three decades of existence with an upcoming showcase revisiting some key pieces in its extensive repertoire. Guillermo Nazara chats with one of the group’s creative leaders to learn more about its long-standing mission — bringing unity in an increasingly fractured world. How does it feel to be celebrating a 30-year legacy? Before…
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Review of ‘The Comparable Dina Martina’: “Irreverent act sends rousing vibrations but needs a firmer hand on the job”
The renowned drag queen is back at the Soho Theatre with her latest solo act, featuring an array of musical tributes combined with fabricated personal stories, occasional shade, and absolute camp. Guillermo Nazara shares his views on the show to let us know if the return of the successful Chariots of Failure creator is fine…
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Review of ‘Daddy’s First Gay Date’: “Flavourless new rom-com is bound to stay in the dark room”
London’s Seven Dials Playhouse hosts the world premiere of Sam Danson’s latest work, exploring sexual identity through a story of love, friendship, and self-discovery. Guillermo Nazara shares his views on the show to let us know if its humour has twink-le and the plot is good enough for us to bear. I wouldn’t advise anyone…
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Review of ‘The Wanderers’: “Klutzy script and schlocky plot give way to oy-standing play”
The Marylebone Theatre hosts the London premiere of Ana Ziegler’s intimate play, exploring the relationships within two estranged marriages in separate timelines. Guillermo Nazara shares his views on the show to let us know if its intended pathos is able to stick or is either a shtick. I distrust what the American press says about…
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Review of ‘Bloody Mary and The Nine-Day Queen’: “Headless new musical shows no merits to claim the throne”
The Union Theatre hosts the world premiere of this chamber piece depicting the rise and fall of Lady Jane Grey and her rivalry with Mary Tudor. Guillermo Nazara shares his views on the show to let us know if its blithe portrayal of Grey’s tragic fate is likely to leave audiences sanguine. It’s Halloween time…
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Composer, lyricist, and bookwriter Hans Jacob Hoeglund talks upcoming new musical ‘Moominvalley in November’: The hardest part is not the writing of the piece, but getting it produced”
After making the Mercury Musical shortlist for the 2025 BEAM showcase, the piece gets ready for its first-ever full-scale production, opening this week at The Gatehouse for a limited three-week run. Guillermo Nazara chats with the man behind every note and word to learn more about the creation of the piece and how he’s managed…
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Apple Derrieres talks upcoming drag panto ‘Wicked Witches’: “We all need to defy levity”
The drag queen swaps the cackles for the giggles by playing a fabulous fairy in this queer Oz-themed panto. Guillermo Nazara chats with the performer to find out if the show is worth high expectations or if it’s time to burst the audience’s bubble. How does it feel to be stepping into shoes (no pun…
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Review of ‘Blessings’ (Riverside Studios 2025): “Sinful writing can’t take enough penitence”
The venue hosts the world premiere of Sarah Shelton’s latest play, which explores the trials and tribulations of a traditional 1960s household, whose actions have broken the moral code of the time. Guillermo Nazara shares his views on the show to let us know if this family affairs drama starring Gary Webster puts audiences at…
