javert – First Night Magazine

Review of ‘Les Misérables’: “There’s still a tomorrow to be sung”

The longest-running musical in West End’s history continues to invite audiences from all over the world to join the barricades. Guillermo Názara tells us about his experience watching the new production of Boublil and Schoenberg’s internationally renowned masterpiece, to let us know if the dream can still be dreamed.

guillermonazarareverter

14 May, 2022

Reviews

alain boublil, bring him home, cameron mackintosh, cosette, do you hear the people sing, drama, eponine, fantine, i dreamed the dream, javert, jean valjean, john caird, lawrence connor, les mis, les miserables, les miz, london, musical, musical theatre, musicals, on my own, paris, red and black, sondheim theatre, trevor nunn, victor hugo, west end
Crítica de ‘Los Miserables’: “Todavía hay un mañana que cantar”

El musical más duradero de la historia del West End sigue invitando al público de todo el mundo a unirse a las barricadas. Guillermo Názara nos cuenta su experiencia viendo la nueva producción de la internacionalmente conocida obra maestra de Boublil y Schoenberg, para hacernos saber si el sueño aún puede ser soñado.

guillermonazarareverter

14 May, 2022

Críticas

alain boublil, bring him home, cameron mackintosh, cosette, do you hear the people sing, drama, eponine, fantine, i dreamed the dream, javert, jean valjean, john caird, lawrence connor, les mis, les miserables, les miz, london, musical, musical theatre, musicals, on my own, paris, red and black, sondheim theatre, trevor nunn, victor hugo, west end
An interview with Laurence Connor on ‘Les Misérables’

After a most succesful non-stop 34-year run in the West End, a new revolution comes to London’s ‘Les Misérables’, with its 25th anniversary production finally settled at the Sondheim Theatre. Co-director Laurence Connor joins us to talk about the creative process and the most interest facts about this already world-performed version, which opens a whole […]

guillermonazarareverter

22 January, 2020

Interviews

bring him home, broadway, cameron mackintosh, do you hear the people sing, empty chairs at empty tables, eponine, fantine, i dreamed a dream, i dreamed the dream, javert, jean valjean, john caird, laurence connor, les mis, les miserables, les miz, london, montfermeil, montreil-sur-mer, new york, on my own, paris, red and black, stage, stars, trevor nunn, west end
Entrevista con el director Laurence Connor sobre ‘Los Miserables’

Tras 34 años de éxito interrumpido en el West End, llega una nueva revolución a la producción de Londres de ‘Los Miserables’, con su versión del 25 aniversario recién instalada en el Sondheim Theatre. Hoy nos reunimos con su co-director, Laurence Connor, para hablar del proceso creativo y descubrir las curiosidades más interesantes de esta […]

guillermonazarareverter

22 January, 2020

Entrevistas

bring him home, broadway, cameron mackintosh, do you hear the people sing, empty chairs at empty tables, eponine, fantine, i dreamed a dream, i dreamed the dream, javert, jean valjean, john caird, laurence connor, les mis, les miserables, les miz, london, montfermeil, montreil-sur-mer, new york, on my own, paris, red and black, stage, stars, trevor nunn, west end

Review of ‘Les Misérables’: “There’s still a tomorrow to be sung”

Crítica de ‘Los Miserables’: “Todavía hay un mañana que cantar”

An interview with Laurence Connor on ‘Les Misérables’

Entrevista con el director Laurence Connor sobre ‘Los Miserables’