-
Review of ‘The Swell’: ‘I would do anything for love’
London’s Orange Tree Theatre opens its stage to this tale of lifelong passion, grief and regret. Guillermo Nazara shares his thoughts on this piece reflecting on selfishness and sacrifice, to let us know more about a story where truth can be the recipe for deception. We’re often told that two wrongs don’t make a right.…
-
Review of ‘Spitting Image – Idiots, Assemble’: “They all are dummies”
The most copycat show on TV jumps to the West End stage in this flamboyant production featuring all of your favourite(ish) celebrities. Guillermo Nazara shares his thoughts on the musical, to let us know if the montage is either sputtering or worth drooling over. F*CK OFF. Oh, I just love it when a show acknowledges…
-
Review on ‘Paper Cut’: “As sharp as its name”
The Park Theatre hosts the UK premiere of this striking play dealing with the scars of a past impossible to leave behind. Guillermo Nazara shares his views on the production, to let us know more about this show reassembling the pieces of a broken soul. What’s the real meaning of love? Too many songs and…
-
Review of ‘Grindr, The Opera’: “It sucks… in a different way”
The Union Theatre welcomes the return of this musical parody exploring the growth (meaning life!) of four men and their circumstances regarding the most downloaded app in the gay community. Guillermo Nazara shares his thoughts on the production, to let us know how well-endowed the show is. Yup. You’ve read right. The most used hooking…
-
Review of ‘Brokeback Mountain’: “Still a piece of us”
Annie Proulx’s turning-point story grips audiences’ hearts again through the world premiere of its stage adaptation. Guillermo Nazara shares his thoughts on this biting play dealing with the greatest need of the human soul, to share all the details about this new version of probably the best-known secret love story. It was not that too…
-
Review of ‘F**king Men’: ‘Don’t tell mama’
The urban sexcapades of unrelated gay men come together in this fun rampage of passion, doubt and self discovery. Guillermo Nazara gives us his thoughts on this new revival of Joe DiPietro’s hit play, to let us know if anything (or anyone) got screwed onstage. Father, forgive me. I tried not to do it… There…
-
Tatenda Shamiso talks ‘NO I.D.’: “You don’t have to transition to undergo change in your life”
The experiences of a young trans artist throughout his journey of self-discovery come together in this fun show celebrating individuality. Guillermo Nazara chats with its author and star of the show, to learn more about this biographical piece packed with memories, songs and a whole bunch of laughs. To make a piece about your own…
-
Review of ‘Breeding’: “Baby, baby, baby (Celion Dion-style)”
The King’s Head Theatre‘s Takeover Festival opens its second season with a busy offer featuring both new and transferred shows focusing on LGBT+ matters. Guillermo Nazara reviews its inaugurating play dealing with same-sex parenting and the dreams, doubts and struggles of a gay couple, to share his thoughts on a piece where convention is the…
-
Review of ‘BLACK SUPERHERO’: “When sex f*cks principles up”
Desire, drugs and lust intertwine in this emotional roller coaster questioning the meanings of love and relationships. Guillermo Nazara reviews this original new play upon his attendance to its world premiere, to share his thoughts about a show where fantasy becomes the rawest depiction of reality.
-
Review of ‘My Son’s A Queer’: “A million lives story”
Tears and laughs shake the stage in this proud celebration of truthfulness and individuality. Guillermo Nazara reviews this new production which has lately become one of the hottest shows in the West End, to let us know if all the gossip is as fair as its bitchy tongue.
