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Review of ‘Murder, She Didn’t Write’: “Whodunit impro play provides conclusive evidence of success”
The classic detective story takes an unexpected twist in this ad-lib spoof, turning viewers into its partners in crime. Guillermo Nazara shares his views on the show to let us know if this tongue-in-cheek take on the genre keeps audiences engaged through Act One and Two, or if by then there were none. It feels…
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Review of ‘Murder On The Orient Express’: “Still on tracks, but slightly screechy ones”
Agatha Christie’s revered mystery returns to the stage in this new adaptation by Ken Ludwig featuring a star-studded cast. Guillermo Nazara shares his views on the show, to let us know if this recent revival of the classic novel manages to work under its own steam. Every murderer is probably somebody’s old friend… And sometimes,…
