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Review of ‘Sinematic’: “Hollywood-themed burlesque is in a reely bad state”
London’s Emerald Theatre presents this debauched tribute to some of Tinsel Town’s greatest classics. Guillermo Nazara shares his views on the show to let us know if this raucous parody is bound to make audiences’ final cut. All that I’ll say is that you should definitely avoid the splash zone in this one. That is,…
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Review of ‘Murder, She Didn’t Write’: “Whodunit impro play provides conclusive evidence of success”
The classic detective story takes an unexpected twist in this ad-lib spoof, turning viewers into its partners in crime. Guillermo Nazara shares his views on the show to let us know if this tongue-in-cheek take on the genre keeps audiences engaged through Act One and Two, or if by then there were none. It feels…
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Review of ‘Double Act’: “Twice as good as you’d expect”
The Southwark Playhouse welcomes this two-hander exploring the experiences of a young man going through the strains of adult life. Guillermo Nazara shares his views on the show, to let us know if this unique portrayal on mental health issues leads out to a divisive outcome or serves as an estimable addition to the London…
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Review of ‘The Last Laugh’: “Under an old gag order”
London’s West End takes audiences on a nostalgic journey through this fond tribute to three of the most important figures in British comedy. Guillermo Nazara shares his views on the show, to let us know if this fictional reunion ended up cracking or cracking him up. Comedy is subjective. That’s the only certainty there is…
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Review of ‘Kim’s Convenience’: “Señor Fawlty!”
Canada’s most mart-ass comedy brings back its launch offer with the London production of the play that inspired the popular Netflix series. Guillermo Nazara shares his views on the show, to let us know if this family business is actually all over the shop. Sigh. Nothing like a smothering father who can’t speak a proper…
