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Review of ‘The Last Laugh’: “Under an old gag order”
London’s West End takes audiences on a nostalgic journey through this fond tribute to three of the most important figures in British comedy. Guillermo Nazara shares his views on the show, to let us know if this fictional reunion ended up cracking or cracking him up. Comedy is subjective. That’s the only certainty there is…
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Review of ‘A Mirror’: “A blurred reflection”
Sam Holcroft’s dystopian play lands on the West End after its original run at the Almeida Theatre. Guillermo Nazara shares his views on the show, to let us know if its dark comedy plot about political oppression manages to toe his party line. As a censor, it is my job to protect you, viewers, from…
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Review of ‘The Last Laugh’: “Too silly for the dumb”
Acclaimed playwright Richard Harris brings to the stage this comedic though insightful reflection on human values and life priorities, first coined on paper by Japanese writer Koki Mitani. Guillermo Názara reviews this new production by Take Note Theatre, to let us know what’s in store in this tale of artistic persecution by an oppressive government.
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Crítica de ‘The Last Laugh’: “Demasiado tonta para los imbéciles”
El aclamado dramaturgo Richard Harris lleva a escena esta cómica pero perspicaz reflexión sobre los valores humanos y las prioridades vitales, acuñada por primera vez en papel por el escritor japonés Koki Mitani. Guillermo Názara reseña esta nueva producción de Take Note Theatre, para que conozcamos lo que nos depara esta historia de persecución artística…
