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Review of ‘Round About Hogarth’: “Roughly sketched script struggles to paint a discernible narrative”
London’s Theatre At The Tabard presents this historical piece exploring the profound relationship between David Garrick and William Hogarth. Guillermo Nazara share his views on the show to let us know if it gets its storytelling down to a fine art. “True art should generate a reaction and create controversy.” A strong-minded William Hogarth has…
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Review of ‘Appraisal’: “Guidelines are meant to be broken”
Chiswick’s Theatre at the Tabard welcomes the London transfer of this new comedy starring Tim Marriott and Angela Bull, playing until the middle of the month after its first run at the Edinburgh fringe. Guillermo Nazara shares his views on the show, to let us know if this comedy play about employer-worker relationships is getting…
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Review of ‘After All These Years”: “All in good time”
The Theatre at the Tabard hosts the London transfer of the latest Outstanding Theatre Award–winner at the Brighton Fringe Festival. Guillermo Nazara shares his views on this show exploring regret, sacrifice and the pursue of happiness, to let us know if its about elderly love preserves an old flame. Wanna know a secret? Promise not…
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Review of ‘The Secret Garden’: “A late bloomer”
The classic novel is revisited this Christmas through The Tabard’s new adaptation of its iconic tale. Guilermo Nazara shares his views on the show, to let us know if the production is worth rooting for. Where you tend a rose my lad, a thistle cannot grow. Frances Hodgson Burnett’s turn-of-the-century classic has captured the hearts…
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Review of ‘The Last Laugh’: “Too silly for the dumb”
Acclaimed playwright Richard Harris brings to the stage this comedic though insightful reflection on human values and life priorities, first coined on paper by Japanese writer Koki Mitani. Guillermo Názara reviews this new production by Take Note Theatre, to let us know what’s in store in this tale of artistic persecution by an oppressive government.
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Crítica de ‘The Last Laugh’: “Demasiado tonta para los imbéciles”
El aclamado dramaturgo Richard Harris lleva a escena esta cómica pero perspicaz reflexión sobre los valores humanos y las prioridades vitales, acuñada por primera vez en papel por el escritor japonés Koki Mitani. Guillermo Názara reseña esta nueva producción de Take Note Theatre, para que conozcamos lo que nos depara esta historia de persecución artística…
