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Review of ‘Ron’ (2026, Riverside Studios): “Criminal comedy gets away with murder”
It’s bloody absurd. And bloody violent. But fortunately, not bloody awful. In fact, it’s everything but that. Although there is blood. A lot of blood. And the funny thing, which is something quite prominent in this show, is that you will feel drenched in it without even seeing the tiniest drop of it. It is…
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Playwright Ryan Calais Cameron talks about becoming the first patron of Camden People’s Theatre: “If you only invest in what’s proven, you stop discovering what’s next”
With several widely acclaimed pieces to his credit, including Retrograde and For Black Boys, Ryan Calais Cameron has cemented his status as one of the most prominent authors of his generation. Now, the writer reconnects with his roots by becoming a benefactor to the venue that gave him the opportunity to set his artistic path.…
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Los Teatros Luchana acogen uno de los textos más íntimos de Ingmar Bergman
La obra se representará a partir de la próxima semana hasta el 24 de abril. Protagonizada por Adriana Davidova y Liberto Rabal, estará bajo las indicaciones de José Carlos Plaza; uno de los directores teatrales más reconocidos de España. El montaje pone de manifiesto la complejidad de las relaciones humanas, sacando a relucir las más…
