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Review ‘Safe Heaven’: “Gulf War-themed political drama is a massive weapon of self-destruction”
The Arcola Theatre presents this new piece exploring the diplomatic maneuvers amidst one of the most delicate international conflicts in recent history. Guillermo Nazara shares his views on the show to let us know if its attempts to strike as a poignant plot should be followed by a white flag. “Oh, I write a letter…
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Review of ‘The Devil May Care’: “Divine hell”
London’s Southwark Playhouse welcomes this new adaptation of George Bernard Shaw’s piece, exploring family discord amidst the turbulences of the Philippines’ indepence movement. Guillermo Nazara shares his views on the show, to let us know if its belligerent narrative lands onstage well-armed. Goodness knows nobody’s inhabited by her alone. Morality is a misleading mistress that…
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Review of ‘Bell, Book and Candle’: “It’s all just a bunch of hocus pocus”
John Van Drutten’s spellbinding comedy returns to London in a new production bringing back the charm and enchantment of its old-fashioned era. Guillermo Nazara reviews this classic currently playing at The Tabard until mid-March, to let us know which kind of curse has been cast on its montage.
