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    • Guillermo Názara
  • Review of ‘Death of England: Closing Time’: “Playing to a lower beat, but still palpitating”

    Review of ‘Death of England: Closing Time’: “Playing to a lower beat, but still palpitating”

    Clint Dyers and Roy Williams’s three-part social commentary reaches its final stop, with the West End transfer of this last instalment starring Erin Doherty and Sharon Duncan-Brewster. Guillermo Nazara shares his views on the show, to let us know if this critical observation on the national mindset flaunts more red than white in its flag.…

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    5 September, 2024
    English contents, Reviews
    clint dyer, closing time, death of england, erin doherty, national theatre, play, roy williams, Sharon Duncan-Brewster, west end
  • Review of ‘The Odyssey: The Underworld’: “Epic camp”

    Review of ‘The Odyssey: The Underworld’: “Epic camp”

    The most mythical saga in the seven seas sails to the London stage in a new musical version featuring one of the biggest companies of the season. Guillermo Nazara shares his views on the show, to let us know if it was blessed with the touch of Midas or an Achilles heel. Ah, nothing like…

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    29 August, 2023
    English contents, Reviews
    Amy Booth-Steel, Arts Council England’s Strategic Touring Fund, Chris Bush, Emily Lim, Emma Prendergast, Esmée Fairbairn Foundation, Fly Davis, Garfield Weston Foundation, hades, homer, Impact Dance Group,  Haringey Vox Choir, Jim Fortune, Joshua Pharo, london, musical theatre, national theatre, odysseus, odyssey, olivier stage, public arts, Sharon Duncan-Brewster, South Wales Gay Men’s Chorus, Stoke-on-Trent, tarinn callender, The 29th May 1961 Charitable, The CareTech Charitable Foundation, The London Bodhrán Band, The Mosawi Foundation, the underworld, Trowbridge Town Hall, Victoria Hamilton-Barritt, west end, Zubin Varla

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