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    • Guillermo Názara
  • Review of ‘Bloodsport’: “Modern-day Iliad screams loud, but it has no stentorian voice”

    Review of ‘Bloodsport’: “Modern-day Iliad screams loud, but it has no stentorian voice”

    A Greek tragedy is unfolding on the stage at Stratford East. If the gods of theatre are keen to seek retaliation, I cannot blame them. In the end, it is a mediocre play. Even worse, it butchers one of the finest ancient narratives the Western world has ever coined, and it has virtually nothing to…

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    14 September, 2026
    English contents, Reviews, Sin categoría
    Ava Pickett, bloodsport, Emma Monnickendam, Ethan Moorhouse, Gerard Monaco, homer, iliad, Joshua-Alexander Williams, Laura Aikman, Michelle Dockery, stratford east, theatre royal stratford east
  • Review of ‘The Odyssey: The Underworld’: “Epic camp”

    Review of ‘The Odyssey: The Underworld’: “Epic camp”

    The most mythical saga in the seven seas sails to the London stage in a new musical version featuring one of the biggest companies of the season. Guillermo Nazara shares his views on the show, to let us know if it was blessed with the touch of Midas or an Achilles heel. Ah, nothing like…

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    29 August, 2023
    English contents, Reviews
    Amy Booth-Steel, Arts Council England’s Strategic Touring Fund, Chris Bush, Emily Lim, Emma Prendergast, Esmée Fairbairn Foundation, Fly Davis, Garfield Weston Foundation, hades, homer, Impact Dance Group,  Haringey Vox Choir, Jim Fortune, Joshua Pharo, london, musical theatre, national theatre, odysseus, odyssey, olivier stage, public arts, Sharon Duncan-Brewster, South Wales Gay Men’s Chorus, Stoke-on-Trent, tarinn callender, The 29th May 1961 Charitable, The CareTech Charitable Foundation, The London Bodhrán Band, The Mosawi Foundation, the underworld, Trowbridge Town Hall, Victoria Hamilton-Barritt, west end, Zubin Varla

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