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Review of ‘Golden Boy’ (2026, Almeida): “Striking revival pulls no punches back, and it’s a theatrical heavyweight”
Even if flawed, a classic is still a classic for a reason. And many make this play worthy of the title. It might not have aged all that well, not because of cultural sensitivities, but because of narrative conventions. What probably felt like gripping romance back then can feel clunky and cliched today. But that’s…
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Review of ‘The Odyssey: The Underworld’: “Epic camp”
The most mythical saga in the seven seas sails to the London stage in a new musical version featuring one of the biggest companies of the season. Guillermo Nazara shares his views on the show, to let us know if it was blessed with the touch of Midas or an Achilles heel. Ah, nothing like…
