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    • Guillermo Názara
  • Review of ‘Alice In Wonderland’ (2026, Riverside Studios): “Eye-catching production is shrunk by tweedle-dull performances”

    Review of ‘Alice In Wonderland’ (2026, Riverside Studios): “Eye-catching production is shrunk by tweedle-dull performances”

    It wouldn’t be the first time a show becomes successful for its visuals and its visuals alone. But this one isn’t the case. There’s praise to be given to this cute yet average adaptation of Lewis Carroll’s literary classic. But there’s some reprimand to do as well. And albeit proportionate for the most part, sometimes…

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    27 July, 2026
    English contents, Reviews
    alice in wonderland, alice in wonderland play, children show, family show, kids show, lewis carroll, riverside studios, summer plays, summer theatre
  • Review of ‘Till The Stars Come Down’: “Less than down-to-earth play is far from achieving meteoric run”

    Review of ‘Till The Stars Come Down’: “Less than down-to-earth play is far from achieving meteoric run”

    The National Theatre’s production celebrates its West End transfer, playing at the Theatre Royal Haymarket for a 12-week limited run until the end of summer. Guillermo Nazara shares his views on the show to let us know if this tragicomical proposal comes off as a match made in heaven. Mamma Mia! Here we go again!…

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    15 July, 2025
    English contents, Reviews, Sin categoría
    access entertainment, Adrian Bower, Aisling Loftus, beth steel, Bijan Sheibani, comedy, Dorothy Atkinson, Eleanor Lloyd Productions, fiery angel, Julian Kostov, lucy black, national theatre, play, review till the stars come down, Short Street Production, summer plays, theatre royal haymarket, till the stars come down review, Tony Bell, west end, west end summer

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