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Review of ‘Alice In Wonderland’ (2026, Riverside Studios): “Eye-catching production is shrunk by tweedle-dull performances”
It wouldn’t be the first time a show becomes successful for its visuals and its visuals alone. But this one isn’t the case. There’s praise to be given to this cute yet average adaptation of Lewis Carroll’s literary classic. But there’s some reprimand to do as well. And albeit proportionate for the most part, sometimes…
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Review of ‘Good Luck, Studio”: “Expect the unexpected”
Mischief’s newest creation continues to travel around the country after its first limited run at Colchester’s Mercury Theatre. Guillermo Názara reviews this comedy show dealing with the recording a children’s show and an actor seeking revenge in a dragon costume, from the same team whose London long-running play keeps going wrong at every performance…
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Reseña de ‘Good Luck, Studio”: “Espera lo inesperado”
La nueva creación de Mischief sigue viajando por todo el país después de su primera función limitada en el Mercury Theatre de Colchester. Guillermo Názara reseña esta comedia que trata de la grabación de un espectáculo infantil y de un actor que busca venganza disfrazado de dragón, del mismo equipo cuya obra de larga duración…
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Reseña de ‘Blippi, El Musical’: “Es bueno ser un niño”
El YouTuber infantil número 1 del Reino Unido ha saltado de las pantallas de la red para llevar toda la diversión al escenario. Guillermo Názara nos cuenta su experiencia en el estreno de Blippi, The Musical, un espectáculo familiar protagonizado por el personaje del fenómeno de las redes sociales y sus amigos, en su afán…
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Review of ‘Blippi, The Musical’: “It’s good to be a child”
The UK’s #1 kids YouTuber has jumped off the network’s screens to bring all the fun onstage. Guillermo Názara tells us about his experience at the opening day of Blippi, The Musical, a family show starring the social media phenomenon character and friends, in their quest to make learning a most magical adventure you don’t…
