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Review of ‘Sinematic’: “Hollywood-themed burlesque is in a reely bad state”
London’s Emerald Theatre presents this debauched tribute to some of Tinsel Town’s greatest classics. Guillermo Nazara shares his views on the show to let us know if this raucous parody is bound to make audiences’ final cut. All that I’ll say is that you should definitely avoid the splash zone in this one. That is,…
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Review of ‘The Sound of Absence’: “Powerful title is honoured the wrong way”
London’s Omnibus Theatre presents this one-woman autobiographical play exploring anger and grievance following the death of a toxic father. Guillermo Nazara shares his views on the show to let us know if its problems go beyond the parental realm. This happened 916 days ago. They could have said 2023, but they tried to be poetic…
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Review of ‘To Maury, With Love’: “Glorious rendition gives 8½ reasons to return”
London’s Theatre Royal Drury Lane hosted a special one-off concert honouring composer and lyricist Maury Yeston’s legacy, which featured a star-studded cast including Ramin Karimloo, Rob Houchen, and Kelly Mathieson among many others. Guillermo Nazara shares his views on the show to let us know if the result was either a shipwreck or put audiences…
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Review or ‘1:17 AM, or until the words run out’: “Eternal premise misses the right timings”
The Finborough Theatre hosts the London return of Zoe Hunter Gordon’s intimate play about loss, grievance, and friendship. Guillermo Nazara shares his views on the show to let us know if its poignancy remains at close quarters with the audience. Well, they didn’t run out of words. And to be honest, I wish I had…
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Review of ‘After Miss Julie’: “Femme fatale narrative only honours half the term”
London’s Park Theatre presents Patrick Marber’s period drama involving a dangerous affair. Guillermo Nazara shares his views on the show to let us know if there’s anything to love about this torrid romance. She may have swept the floor, but she couldn’t sweep an audience away. That wasn’t Miss Julie, however, but her devoted maid,…
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Review of Ballet Icons (2026, London Colliseum): “World-class showcase leaves audiences dancing on air despite perceptible issues”
The venue hosted this annual event featuring globally revered performers. Guillermo Nazara shares his views on the show to let us know if its eclectic array was delivered on pointe. They promised us quality. And above all, they promised us art. They didn’t forsake their vow, for the most part. Last Sunday’s 20th anniversary gala…
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Review of ‘Cash On Delivery’: “Poorly executed account shows capital problems”
The Mill at Sonning hosts the latest revival of Michael Cooney’s 1997 farce. Guillermo Nazara shares his views on the show to let us know if this tender return manages to hit the jackpot. This was supposed to be funny. It really wasn’t — not that the idea isn’t promising, but I was expecting something…
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Review of ‘Josh Sharp: ta-da!’: “Bottomless-fun play tops many forecomers”
The Soho Theatre hosts the London premiere of Sharp’s autobiographical comedy monologue, led by Oh, Mary’s director, Sam Pinkleton. Guillermo Nazara shares his views on the show to let us know if its coming-out, coming-of-age story has any skeletons (or twinks) in the closet. He’s gay. He’s very gay. That’s what this fabulous is all…
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Review of ‘Shadowlands’: “C.S. Lewis-themed play doesn’t leave us surprised by joy”
London’s Aldwych Theatre hosts the West End revival of William Nicholson’s play, which explores the real-life romance between C.S. Lewis and Joy Davidman. Guillermo Nazara shares his views on the show to let us know if its value is all due to an experiment of criticism. I may just be a contrarian, but I don’t…
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Review of ‘I’m Sorry, Prime Minister’: “Return of Downing Street farce nearly scores a ten”
London’s Apollo Theatre welcomes the final instalment of the classic BBC comedy series. Guillermo Nazara shares his views on the show to let us know if this cabinet reunion calls for a reshuffle. Yes, you’ve read right. Jim Hacker is back. He’s no longer in charge, however. We could literally say that he’s passed his…
