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Review of ‘Saving Mozart’: “Lacrimosa-driven narrative puts audiences in a state of confutatis”
London’s The Other Palace hosts the UK premiere of this revisionist piece exploring the life and personal relationships of the revered musical genius. Guillermo Nazara shares his views on the show, to let us know if its fabricated narrative figures a good marriage between fiction and reality. You won’t hear a whining Salieri begging for…
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Jordan Luke Gage talks upcoming new musical ‘Saving Mozart!’: “We’ve all experienced that feeling of jealousy at some point”
The London scene welcomes the UK premiere of this new show exploring the life, struggles, and genius of the Austrian composer. Guillermo Nazara chats with one of its lead actors, who’s playing the role of Mozart’s alleged rival, to learn more about his construction of the character and Salieri’s portrayal in this little night musical.…
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Review of ‘The Magic Flute’ (Greenwich Theatre 2025): “Unpolished reimagining of opera classic fails to stand as the queen of the night”
Mozart’s popular classic was reborn last week in the London scene — in a newly themed production put together by Opera Greenwich. Guillermo Nazara shares his views on the show — to let us know if this latest approach manages to enrapture audiences and build a marriage between the old and contemporary. I so vividly…
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Crítica de ‘Maestrissimo – Paganini 2’: “Un espectáculo único, un show para todos”
Varios siglos atrás, en una época en la que escalar en cualquier sector era prácticamente imposible, un maestro violinista se juega recibir el mayor reconocimiento de su carrera. A su sombra, un músico siempre relegado a un segundo plano, pero con un enorme talento a punto de estallar. Guillermo Názara nos cuenta su visión sobre…
