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Review of ‘Higher Ups’: “The devil wears nada”
London’s Old Red Lion Theatre welcomes this new play depicting the savageness of the entertainment industry through the eyes of satire. Guillermo Nazara shares his views on the show, to let us know if its drastic narrative about an alleged alien invasion actually needs to come back to earth. We’ve all had that boss that,…
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Review of ‘Fell’: “A brotherhood of trust”
The Barons Court Theatre hosts the London premiere of this piercing new play dealing with the struggles of two teenage outcasts. Guillermo Nazara shares his views on the show, to let us know more about this play where grief can become the road to happiness. Have you ever felt the urge to run away just…
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Review of ‘Here’: “It needs a voice to be heard”
London’s Southwark Playhouse hosts the world premiere of this new play by the Papatango Company, whose previous achievements include the Olivier and the Critics’ Circle Award. Guillermo Názara reviews their latest work upon his attendance to the opening night, to let us know his thoughts on this reflection on the complicated bonds tying people who…
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Crítica de ‘Here’: “Necesita una voz para ser escuchada”
El Southwark Playhouse londinense acoge el estreno mundial de esta nueva obra de la compañía Papatango, entre cuyos logros se encuentran el Olivier y el Premio del Círculo de Críticos. Guillermo Názara reseña su último trabajo tras asistir al estreno, para darnos a conocer su opinión sobre esta reflexión acerca de los complicados lazos que…
