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Review of Cirque du Soleil’s ‘OVO’ (2026, Royal Albert Hall): “All-mitey spectacle needs little debugging”
The Royal Albert Hall welcomes the company’s latest addition to their London season, this year themed after the smallest wildlife. Guillermo Nazara shares his views on the show to let us know whether it’s an insect-ivizing experience or theatrical vermin. I never thought I said this, but I’ve actually liked the sight of multi-legged critters…
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Review of ‘Fuerza Bruta: Aven’: “Unity makes the real strength”
The world-famous Argentinian performing company returns to its London home, presenting their latest montage for a strictly limited run playing until the end of summer. Guillermo Nazara shares his views on the show, to let us know if its intense display of acrobatics ends up feeling high up in the air. “Esto es… FUERZA BRUTA”,…
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Review of Cirque du Soleil’s ‘Alegría’: “Come la magia di vita “
One of the company’s signature and most popular pieces returns to the London scene in a revised production exuding even more thrills and enchantment than the first time. Guillermo Nazara shares his views on the show, to let us know if this aerial display of talent was actually a flight of fantasy. Very few times…
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Crítica de ‘Circo 1903’: “La nostalgia pasa factura”
Por cuarto año consecutivo, esta extravagancia musical con un despliegue de talentos de lo más inusual visita Londres para una representación estrictamente limitada durante la temporada navideña. Guillermo Názara repasa este espectáculo familiar montado por una impresionante troupe de artistas e incluso creativos galardonados en el West End, para que sepamos si es un regalo…
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Review of ‘Circus 1903’: “Nostalgia takes its toll”
For its fourth year in a row, this musical extravaganza featuring the most unusual display of talents visits London for a strictly limited run during the Christmas season. Guillermo Názara reviews this family show put together by an impressive troupe of artists and even West End award-winning creatives, to let us know if this is…
