-
Review of ‘Artificially Yours’: “Inorganic humanity”
Leslie Ash stars in this new play exploring modern relationships in a digitalized word – penned by first-time author Aaron Thakar. Guillermo Nazara shares his views on the show, to let us know if this droll comedy about machines taking over our love lives deserves to have its plug pulled. If you push too hard,…
-
Review of ‘Deaf As A Post’: “It’s finding its tone”
War and laughter come to the front in this new fringe comedy arriving in London after its original run in Northern Ireland. Guillermo Nazara shares his views on the show, to let us know if this dystopian farce also raising awareness on a different everyday reality was actually music to his ears. How many times…
-
Olivia Miller talks ‘Bloody Mary: Live!”: “People can be both victim and villain”
One of the most controversial figures in the British monarchy returns to the throne in this one-woman show promising, at least, a good execution. Guillermo Nazara chats with its performer and writer, to learn all the fun facts about this piece playing with fire in every possible sense. What prompted you to write a show…
-
Review of ‘Appraisal’: “Guidelines are meant to be broken”
Chiswick’s Theatre at the Tabard welcomes the London transfer of this new comedy starring Tim Marriott and Angela Bull, playing until the middle of the month after its first run at the Edinburgh fringe. Guillermo Nazara shares his views on the show, to let us know if this comedy play about employer-worker relationships is getting…
-
Review of ‘The Divine Mrs. S’: “A bit too earthly for her title”
The world’s best actress in the 1800s returns to the stage through this new original comedy starring Rachael Stirling. Guillermo Nazara shares his views on the show, to let us know if this production should pull its curtain down. There’s only one thing worse that seeing how your talent goes unrecognized. And that’s for it…
-
Review of ‘Priscilla, The Party!’: “The way we girls just wanna have fun”
The lipstick and the glitter return to the West End in this new immersive production playing at the Outernet. Guillermo Nazara shares his views on the show, to let us know if this rainbow-coloured carnival of hot stuff will survive. “I thought they loved us… Only until sunrise”. It’s been 10 years since I heard…
-
Review of ‘Mind Mangler’: “Good omens”
London’s Apollo Theatre welcomes the West End transfer of Mischief’s latest creation, following its original run at the Edinburgh Fringe. Guillermo Nazara shares his views on the production, to let us know if this slapstick magic show actually had a bad hare day. I’ve always said that if you were able to read my mind…
-
Review of ‘Sister Act’: “High in ecstasy, not yet on cloud number nine”
Alan Menken’s divine score brings back its heavenly chills to the West End, in this new revised production playing at the Dominion Theatre until the end of summer. Guillermo Nazara shares his views on the show, to let us know if this festival of cross-dressers has truly left him god-smacked. “It’s better than sex!!”. Why,…
-
Review of ‘The Big Life’: “Royal East Variety Show”
The ska-style musical celebrates its 20th anniversary by returning to its birthplace, in a new production currently playing until the end of next month. Guillermo Nazara shares his views on the show, to let us know if this comedy about love affairs is worth a crush. “I’ll never fall in love again”, cries that little…
-
Review of ‘After All These Years”: “All in good time”
The Theatre at the Tabard hosts the London transfer of the latest Outstanding Theatre Award–winner at the Brighton Fringe Festival. Guillermo Nazara shares his views on this show exploring regret, sacrifice and the pursue of happiness, to let us know if its about elderly love preserves an old flame. Wanna know a secret? Promise not…
