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Review of ‘Drag Baby’: “We need a rebirth before a revival”
The Pleasance Theatre brings up the glitter with this new comedy exploring the not-so-shiny journey of a cabaret performer. Guillermo Nazara shares his views on the show, to let us know if this bra-sic montage is in need of some dragstic solutions. I feel as if every time I go see a gay play, the…
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Review of ‘The Tailor-Made Man’: “Too Much In Love To Care”
Claudio Macor’s historical play returns to the London scene in this new production playing at the recently opened Stage Door Theatre until mid-summer. Guillermo Nazara shares his views on the show, to let us know if this explosive gay-themed drama in movie making is either a blast or a bomb. As much of a cliche…
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Review of ‘Sappho’: “Just love is not always the answer”
Queer identities and lush romance blend together in this explosive comedy bringing back the allure and stories from classic times. Guillermo Nazara shares his views on the show, to let us know if this Greek gift could actually open Pandora’s box. Passion is that rare force of nature that both makes us and destroys us.…
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Review of ‘Remembrance Monday’: “Straight to the point”
Love, grief and heartbreak come together in Michael Batten’s latest play exploring the joys and wounds of a committed relationship. Guillermo Nazara shares his views on the show, to let us know if this raw story dealing with the most harrowing experiences in a romance is worth falling for. There’s nothing new about what you’re…
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Review of ‘F*cking Men’: “Too hard to screw”
Joe DiPietro’s spunky play brings back the edging to the stage, in this revival production coming back to the Waterloo East for a limited quick shot run. Guillermo Nazara shares his views on the show, to let us know if this showering of fringe theatre gold is actually taking the piss. So rarely do I…
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Review of ‘Priscilla, The Party!’: “The way we girls just wanna have fun”
The lipstick and the glitter return to the West End in this new immersive production playing at the Outernet. Guillermo Nazara shares his views on the show, to let us know if this rainbow-coloured carnival of hot stuff will survive. “I thought they loved us… Only until sunrise”. It’s been 10 years since I heard…
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Review of ‘Frank’s Closet’: “Bring out the birthday suit”
Stuart Wood’s camp-over-camp musical returns to London in a new limited-running production playing at the Union Theatre until the end of the month. Guillermo Nazara shares his views on the show, to let us know if this rainbow-coloured extravaganza brings more than fuss and feathers. “What made you gay?”. It was not that long ago…
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Review of ‘Everybody’s Talking About Jamie’: “Limited edition, show night special”
One of the most popular musicals in recent years returns to the West End for one month only, before continuing its tour across the country. Guillermo Nazara shares his views on the show, to let us know if this work of art was truly over the top. Once upon a time, there were a boy…
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Review of ‘Turning The Screw’: “Angel of Music”
Benjamin Britten’s unspoken life pulls its veil down in this intimate play dealing with his deepest infatuations. Guillermo Nazara shares his views on the show, to let us know if its recount about one of the richest figures in classical music was actually a beggar’s opera. An artist’s soul is printed on every stroke of…
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Review of ‘Afterglow’: “Shadowy gleam”
S. Asher Gelman’s popular piece about modern relationships returns to the London scene for its third time, in a new production currently playing at the same place that hosted its European premiere. Guillermo Nazara shares his views on the show, to let us know if its intimate storyline is worth coming for. There are many…
