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Review of ‘The Crumple Zone’: “Crushing crushes”
London’s Waterloo East Theatre welcomes this new gay comedy exploring the struggles of romantic relationships as well as complying with personal realizations. Guillermo Nazara shares his views on the show, to let us know if this droll comment on love and sex life keeps some balls rolling. I can talk about two different shows here…
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Review of ‘Dracula’: “Biting issues”
Bram Stoker’s literary classic returns to the stage through this latest adaptation by the Blackeyed Theatre company – currently going on tour across the country. Guillermo Nazara shares his views on the show, to let us know if this new version of the horror masterpiece continues to be a fang-tastic experience. It may seem almost…
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Review of ‘Gay Pride and No Prejudice’: “A play on man-ners”
Jane Austen’s 19th-century grand romance relives on the London stage through this new, reimagined version, bringing some extra fantasy onto the table… and into the bed! Guillermo Nazara shares his views on the show, to let us know if this edgier take on the literary classic manages to breed something worth swallowing. What else says…
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Review of ‘The Real Ones’: “Truth can’t just be said”
The Bush Theatre hosts the world premiere of Waleed Akhtar’s latest play, starring theatre and television star Nathaniel Curtis. Guillermo Nazara shares his views on the show, to let us know if this friendship-themed piece manages to be one of the besties. Life is change. That’s probably the greatest truth about it. And also, the…
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Review of ‘Antony & Cleopatra’: ” The breaking of so great a thing should make a greater crack”
The Bard’s epic love-and-loss play returns to the London scene in a fully revised version reflecting queer identities through an alternative. Guillermo Nazara shares his views on the show, to let us know if this new look into the classic tale still manages to bring eternity into their lips and our eyes. What is power…
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Review of ‘Myra Dubois: Be Well’: “The b*tch is back!”
The acclaimed drag artist presents her latest national tour, playing all across the UK and Ireland until the end of the next month. Guillermo Nazara shares his views on the show, to let us know if this heavy piece of comedy needs to be given some lip or suction. I’m a b*tch, I’m a b*tch,…
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Review of ‘Officer Scott’: “Tryin to cop-e”
London’s King’s Head Theatre opens its stage to a new international troupe of actors, bringing their latest LGBT+ – themed comedy all the way from the Brooklyn scene. Guillermo Nazara shares his views on the show, to let us know if its arresting plot manages to make out like a bandit. It’s well-known by anyone…
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Review of ‘Two Come Home’: “Conflicted efforts”
The Camden Fringe Festival welcomes this new -themed play exploring the struggles of a young gay man fighting to break away from his abusive past. Guillermo Nazara shares his views on the show, to let us know if its bitter portrayal of life manages to bring out the home truth. One of the first lessons we,…
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Review of ‘House of Life’: “Forbidden fruits are worth a swallow”
The Soho Theatre brings back Sheep Soup’s religious parody musical, having played for a limited run in the West End fringe scene before returning to the Edinburgh Festival. Guillermo Nazara shares his views on the show, to let us know if this dazzling piece made for the masses is good enough to come a-cross. What…
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Review of ‘Wet Feet’: “Steam spunk”
Michael Neri’s debut play opens at the Union Theatre in the midst of Pride Month, carrying on the venue’s focus on queer-related pieces. Guillermo Nazara shares his views on the show, to let us know if in this humidity-rising story his rating barometer actually goes low. Ah, I remember the first time I went to the…
