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Review of ‘Club Kabarett’: “It was a fine affair”
German performer Bernie Dieter returns to London with her newest cabaret creation, bringing with her an enticing troupe of acrobats and stunt performers. Guillermo Nazara shares his views on the show, to let us know if this bundle of laughs piece was actually a comedy of errors. Mama doesn’t even have an inkling that I’m…
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The cast of ‘Mates in Chelsea’ talks about the play: “As an actor, you don’t walk up to the stage hating your character”
The Royal Court Theatre gets ready to crack up through this new comedy dealing with the trials and tribulations of a crazy rich family. Guillermo Nazara chats with its company, to learn the most fun facts about a show which surely looks like a million bucks. Wealthy, vindictive mothers, martial dramas and oligarch villains. It…
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Review of ‘Jock Night’: “Thick substance”
Drugs, sex and even more fun blend in this humorous rampage exploring the downsides of night life. Guillermo Nazara shares his views on the show, to let us know if, at any point, somebody hit any rock bottoms. Mama… I just f*cked a man… Thank goodness she’s not reading this review… Oh, (what’s the word?)……
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Director Hero Baatar talks ‘The Mongol Khan’: “This show is inspired by our kings’ most precious secrets”
The London Coliseum prepares to welcome one of the most extravagant productions of its last season, in a show celebrating not only its West End premiere but also the friendship between Eastern and Western culture. Guillermo Nazara chats with its director, to learn more about this spectaculra piece inspired by three thousand years of history.…
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Xenia Aidonopoulou talks ‘Skydiver’: “I would never underestimate an audience and their ability to appreciate high-quality art”
London’s contemporary dance festival returns this month with a new multi-sensory proposal exploring mankind’s most enduring desires. Guillermo Nazara chats with its director about the creation of the show, to learn the most interesting facts about a piece taking us into a reality built on dreams. How did you come up with the idea for…
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Review of ‘The Diviners’: “Still not too earthly”
The People Show Company breaks it own record by staging its 145th production through a new play exploring the meaning of human existence. Guillermo Nazara shares his views on the show, to let us know if this mystic piece has been met with good omens. If the human brain were so simple that we could…
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Review of ‘What It Means’: “Strong significance”
Merle Miller’s gay-activist book travels to the stage through the world premiere of its theatrical adaptation. Guillermo Nazara shares his views on the show, to let us know if this rainbow-flagged piece also features any red ones. “If you try it once, you’re a philosopher; if twice, you’re a sodomite”. I guess my case calls…
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Review of ‘Trompe L’Oleil”: “Still needs to do the trick”
Politics and unconventional love get mixed in this blasting comedy about Donald Trump’s presidential term. Guillermo Nazara shares his views on the show, to fire up some fake news on the most beloved man on earth. To take the Trump administration seriously would be as crazy as calling Suella a gay icon – though we…
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Review of ‘The Island’: “Coming up to the surface”
The Cervantes Theatre hosts the London premiere of this new play dealing with the struggles of parenthood and self love. Guillermo Nazara shares his views on the show, to let us know more about this piece where dreaming can mean torture. So often do we hear that we, as humans, aren’t meant to be alone.…
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Review of ‘Strangers In Between’: “Queer as skips”
Love and rejection hook up in this implosive production marking the acting debut of former Olympic athlete Matthew Mitcham. Guillermo Nazara does a deep dive into the show, to let us know if this heartwarming gay play is actually in hot water. My brother beat me up, so I ran away from home. It’s strange…
