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Review of ‘After All These Years”: “All in good time”
The Theatre at the Tabard hosts the London transfer of the latest Outstanding Theatre Award–winner at the Brighton Fringe Festival. Guillermo Nazara shares his views on this show exploring regret, sacrifice and the pursue of happiness, to let us know if its about elderly love preserves an old flame. Wanna know a secret? Promise not…
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Review of Candace Bushnell’s ‘True Tales of Sex, Success and SEX AND THE CITY’: ‘F*cking Things Up’
The best-selling author flies off her urban queen-dom for one night only, in this one-woman show telling the real stories behind the book that inspired the iconic TV series. Guillermo Nazara shares his views on her performance, to let us know if its Hump Day performance got to be a satisfier. Every time I walk…
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Katie Buchholz talks ‘Witness for the Prosecution’: “This show is a magnifying glass on the establishment in our country”
Agatha Christie’s new criminal record continues to arrest audiences through its reimagined London revival, currently playing on its 6th year. Guillermo Nazara chats with the show’s lead actress, performing in the role of Christine Vole, to learn the most interesting facts about West End’s most courteous show. How does it feel to be starring in…
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Review of ‘Giselle’: “Little spectre at this feast”
The English National Ballet opens its 2024 season with Adolph Adam’s romantic masterpiece, through a nostalgic old-fashioned production featuring several leads in their debut roles. Guillermo Nazara shares his views on the show, to let us know if this with this heavenly work they’ve actually dug their own grave. Once upon a dream… It seems…
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Review of ‘Exhibitionits’: “Don’t try to be gay”
The King’s Head’s Theatre opens its new venue with the world premiere of Shaun McKenna and Andrew Van Sickle’s latest play. Guillermo Nazara shares his views on the show, to let us know how hard he can get when shooting his ink. Oh, nothing says ‘marriage’ like being torn to pieces. Having yourself screwed and…
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Review of ‘Cold War’: “Inner conflict”
Paweł Pawlikowski’s acclaimed film comes to the stage through this brand new musical adaptation playing at the Almeida Theatre until the end of the month. Guillermo Nazara shares his views on the show, to let us know if this jump from the screen to the stage managed to dodge the bullet. Love is the only…
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Review of ‘Dick Whittington’: “A Lord Mayor’s show”
The great British classic returns to panto season in this new production currently playing at the Richmond Theatre. Guillermo Nazara shares his views on the show, to let us know if the cat got the cream at the end of the day. As the holiday bells are starting to chimeThe camp comes in streams on…
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Review of ENB’s ‘The Nutcracker’: “Old-school charm”
Tchaikovsky’s Christmas masterpiece lands on the London Coliseum through one of the longest-running theatrical traditions in the West End. Guillermo Nazara shares his views on the show, to let us know if this return montage was actually sugar-plum. They say that dreams are the actual magic that makes the world go around. Truth or not,…
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Review of ‘Edward Scissorhands’: “A nostalgic reverie”
Tim Burton’s 90s classic returns to the stage through the touring production of Matthew Bourne’s ballet adaptation, currently playing in London during the holiday season. Guillermo Nazara shares his views on the show, to let us know if it’s ambitious montage ended up making the cut. The more you like yourself, the less you are…
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Chastity Belt talks ‘La Clique’: “We’re naked. But we’re silly, too!”
The naughtiest Christmas show in town continues to enthrall London audiences with it sumptuous display of stunts, music and, above all, fun. Guillermo Nazara chats with its new Emcee, cabaret singer Chastity Belt, to learn the most interesting facts about this annual montage where trouble is not left outside, but its very essence. How does…
