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Sarah McGuinness’s one-woman cabaret show to transfer to London this month
The internationally acclaimed film director returns to the stage with this musical recount exploring the trauma, struggles and joys of her personal and professional life. Putting her documentary expertise into the narrative, the montage will include a diverse repertoire ranging from music theatre classics to pop and rock icons. Leave all your troubles outside! And…
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Review of ‘The Picture of Dorian Gray’: “Psychedelic Victoriana”
Sarah Snook takes the lead, supporting and ensemble in this new experimental production revisiting Oscar Wilde’s ageless classic. Guillermo Nazara shares his views on the show, to let us know if its ambitious approach may apply to its author’s simple tastes. Art is quite useless. The most devastating statement about Wilde’s craft prefaces, in some…
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Review of Candace Bushnell’s ‘True Tales of Sex, Success and SEX AND THE CITY’: ‘F*cking Things Up’
The best-selling author flies off her urban queen-dom for one night only, in this one-woman show telling the real stories behind the book that inspired the iconic TV series. Guillermo Nazara shares his views on her performance, to let us know if its Hump Day performance got to be a satisfier. Every time I walk…
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Review of ‘Heart’: “Love Gets To Be Queer”
Acclaimed performer Jade Anouka stars in her debut play as a writer with this autobiographical story dealing with love, deception and self-discovery. Guillermo Nazara shares his views on the show, to let us know if its straightforward narrative manages to deliver a true, different identity. Love can hurt. And sometimes, it must. Love can be…
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Review of ‘Elephant’: “Unresolved harmonies”
Love, passion and shame tune in through this discordant new play exploring the personal and cultural struggles of a young artist. Guillermo Nazara shares his views on the show, to let us know if its shrill drama hit the wrong key. We often hear that music soothes the savage beast. But actually, no other art…
