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JC Chasez and Jimmy Harry talk new album ‘Playing With Fire’: “No amount of technology can save us from being human”
The world-renowned songwriters join forces one more time, through this upcoming concept piece resurrecting Mary Shelley’s signature work through a revised, modern-life approach. Guillermo Nazara chats with the duo, to learn all the facts about the development of this musical theatre remake, as well as the prospects of their creature. What prompted you to adapt…
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Co-director Hector Harkness talks Punchdrunk’s latest production ‘Viola’s Room’: “This show is the culmination of twenty years of work”
UK’s top immersive experience company presents its newest montage, breaking from the style of their previous shows and featuring astonishing highlights, including a full-length narration recorded by Helena Bonham Carter. Guillermo Nazara chats with one its lead creatives, to learn more about this alternative piece of storytelling, and shed some light on this haunting recount…
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Review of ‘The Picture of Dorian Gray’: “Psychedelic Victoriana”
Sarah Snook takes the lead, supporting and ensemble in this new experimental production revisiting Oscar Wilde’s ageless classic. Guillermo Nazara shares his views on the show, to let us know if its ambitious approach may apply to its author’s simple tastes. Art is quite useless. The most devastating statement about Wilde’s craft prefaces, in some…
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Review of ‘The Woman In Black’: “Still a hot spook”
The most terrifying classic in British theatre continues to bewitch the country with its current national tour – bringing back the glitz and horror of the recently closed original. Guillermo Nazara shares spills his guts on the production, to let us know if this oldie is frightfully good. Imagine an old theatre haunted by the…
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The Wardrobe Ensemble talks ‘Mog, The Forgetful Cat’: “Creating work for families grounds you in many ways”
One of the most memorable characters in children literature paws onto the stage in this original adaptation currently playing at Edinburgh Fringe Festival. Guillermo Nazara chats with the entire company about the creation and delivery of this family musical, to learn the most interesting facts about a show that promises a whisker of fun. What…
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Review of ‘Sweeney Todd’: “As English as human pie”
The horrifying lore has been resurrected with the return of one of its very first stage adaptations. Guillermo Nazara shares his vision about this new production by Opera della Luna, to give us a razor-sharp account on this old-style performance of the legendary tale. “I ‘m gonna destroy you and eat you”. Enough of my…
