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Review of ‘The Pigeon and The Mouse’: “Let your spirit start to soar”
The New York dance company Welcome to Campire presents this new experimental show playing for a strictly limited run at London’s Space Theatre. Guillermo Nazara shares his views on the show, to let us know all the details about this stirring tale of romance and doom. Nothing has more power to create and to destroy…
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Review of ‘At The Statue of Venus’ and ‘La Voix Humaine’: “It’s not just about saying it”
The Grimeborn Opera Festival reaches its final stages with a double performance of contemporary new classics. Guillermo Nazara shares his views on the show, to let us if these love pieces actually came too hard hearted. Love is blind. Well, f*ck you too, you self-consciousness-triggering bitch. Oh, come on, are you gonna tell me now…
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Review of ‘As We Face The Sun’: “The sky’s not clear yet”
The Bush Young Company presented this new play dealing with the struggles of former students sharing a haunting past. Guillermo Nazara shares his views on the show, to let us know more about this piece where loss is the path to win. Nothing builds a stronger bond than shedding the same tears… I think I’m…
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Review of ‘The Odyssey: The Underworld’: “Epic camp”
The most mythical saga in the seven seas sails to the London stage in a new musical version featuring one of the biggest companies of the season. Guillermo Nazara shares his views on the show, to let us know if it was blessed with the touch of Midas or an Achilles heel. Ah, nothing like…
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The Wardrobe Ensemble talks ‘Mog, The Forgetful Cat’: “Creating work for families grounds you in many ways”
One of the most memorable characters in children literature paws onto the stage in this original adaptation currently playing at Edinburgh Fringe Festival. Guillermo Nazara chats with the entire company about the creation and delivery of this family musical, to learn the most interesting facts about a show that promises a whisker of fun. What…
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Review of ‘in|Secure’: “Just one more battle to win the war”
The sorrow and grief of the Ukraine war flies to the London stage in this one-woman show recounting the experiences of those who never left their homes. Guillermo Nazara shares his thoughts on this play presented as part of this year’s Camden Fringe, to let us know more on a play that haunts on the…
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Review of ‘Death Note’: “On its way to slay it”
London’s West End goes otaku with the European premiere of this new manga-based musical. Guillermo Nazara shares his views on the show, to let us know if its killer storyline actually took his breath away. What would you do if you could decide upon who lives and who dies? It may sound crazy, but we’ve…
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Review of ‘Homeless’: “In a poor state”
The shattered pieces of a broken life come together in this new play dealing with the struggles of poverty and immigration. Guillermo Nazara shares his views on the show, to let us know if this story about rags is actually filled with riches. In the battlefield of life, the hardest strives are taken by the…
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Full cast and creatives announced for new London production of ‘Sunset Boulevard’
Andrew Lloyd Webber’s film noir musical returns to its birth avenue for a strictly limited run – in a fully new production directed by Jamie Lloyd and starring Nicole Sherzinger and Rachel Tucker. Celebrating 30 years after its original premiere, the show has also released today a first teaser trailer featuring the montage’s lead actress.…
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‘Cake: The Marie Antoinette Playlist’ to play in the West End for one week only
The show will play at London’s Lyric Theatre for 5 days only, featuring the same lead cast as in its first UK tour. Directed and choreographed by Olivier Award-winner Drew McOnie, the musical tells, through pop and comedy, the true story of the royal scandal that started the French revolution. Nothing like a good slice…
