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Director David Gilmore talks upcoming new musical ‘Stiletto’: “History is always meant to come back”
Currently in previous at London’s Charing Cross Theatre, the show is heading to its world premiere next week, after a development process of almost 40 years. Guillermo Nazara chats with its head creative, to learn all the facts about this period piece exploring the remarkable lives of the castrati singers – and what’s made the…
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Review of ‘Wilko’: “Not ready to pull the cover yet”
The English rock star returns to the stage through this musical biopic depicting the trials and tribulations of his extraordinary life. Guillermo Nazara shares his views on the show, to let us know if this journey through melody, passion, and drugs should be kept out of sight. He was better than Mozart – or so…
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Review of ‘Man In The Mirror’: “Love never felt so good”
The acclaimed Michael Jackson impersonator returns with the latest version of his tribute act – reviving all the iconic tunes and moves by the still remembered as the King of Pop. Guillermo Nazara shares his views on the show, to let us know if audiences either got to be there or put it out of their…
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Review of ‘Clueless, The Musical’: “Everything not as perfect as she sings”
The 90s classic lands on the West End stage with the opening of its first mainstream production, currently playing at the Trafalgar Theatre until the end of summer. Guillermo Nazara shares his views on the show, to let us know if this musical boinkfest is bound to leave audiences totally freakin’ out. She’s not the…
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Composer Matthew Wilder talks upcoming new musical ‘Stiletto’: “I’ve been able to discuss topics I couldn’t have touched decades ago”
The Academy Award nominee is finally bringing to the stage the project of a lifetime – depicting the fascinating real story of the now gone castrati singers. Guillermo Nazara chats with the artist, to learn all the facts about the creation of this ambitious piece, and how they got the balls rolling. After 40 years…
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Lyricist and co-bookwriter Barbara Bellman talks ‘Bordello, The Musical’: “I didn’t want to shy away from this material, no matter how uncomfortable”
The London scene welcomes a two-day workshop performance for this new original musical, based on the real-life story of a Jewish prostitute who stood up against international sex-trafficking. Guillermo Nazara chats with one of its authors, to learn more about the development of a piece audiences will get a unique chance to experience in its…
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Review of ‘Cry-Baby, The Musical’: “Half the one that I want”
The Arcola Theatre opens its first-ever production of a musical, with the London premiere of John Waters’s cult classic. Guillermo Nazara shares his views on the show, to let us know if the stage adaptation of the 50s spoof tribute manages to have enough commie-cal effect. Grease is the word. You won’t hear it in…
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Review of Lee Mead’s ‘The Best of Me’: “Any theme will do”
The West End star gave the London stage a taste of his new solo show – soon to be touring around the UK by the end of Spring. Guillermo Nazara shares his views on the show, to let us know if the world should still be waiting for this performance – or instead, hesitating about…
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Michael Jackson tribute artist CJ talks upcoming show ‘Man In The Mirror’: “Some people are MJ fans now because of our show”
Considered one of world’s best impersonators of his kind, CJ will return to the stage this month with latest version of his tribute act – guaranteeing a thriller of a show featuring breathtaking numbers that will surely leave audiences speechless. Guillermo Nazara chats with the artist, to learn all the facts about this new exciting…
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Lead actress Dora Gee talks upcoming London production of ‘The Mad Ones’: “There’s too much pressure on teenagers to decide what and who they want to be”
The American teenage musical lands on the London scene for the very first time in this revival production, hitting the road all the way from Birmingham and parking at The Other Palace this spring. Guillermo Nazara chats with the performer, to learn all the fun facts about her reprisal of this role – whose relatable…
