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Director Jonathan Munby talks new London revival of ‘The Price’: “I’m interested in how the play speaks to a post-Covid world”

London’s Marylebone Theatre presents a brand new revival of Arthur Miller’s intimate play about inherited trauma and family relationships. Guillermo Nazara chats with the man behind its latest incarnation to learn about his vision — as well as Miller’s ability to speak across generations. How does it feel to direct this latest revival of Arthur…
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Helen Atkinson-Wood talks INK Festival’s 2026 season: “Putting on a production is always a costly business”

After a decade serving as one of its patrons, the actress comes into the spotlight by starring in the world premiere of Jan Etherington’s most personal play. Guillermo Nazara chats with the artist to learn more about the festival’s evolution over the years and its commitment to championing new voices from non-theatrical backgrounds. How does…
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Director Adam Karim talks new London revival of ‘What Fatima Did…’: “We are crying out for the next generation to get involved”

Continuing its mission of championing emerging talent, the company presents this new production of Atiha Sen Gupta’s heartfelt play about cultural identity, featuring an all-18 to 25-year-old cast. Guillermo Nazara chats with the show’s director to learn more about his approach, as well as the piece’s connection with the current zeitgeist. How does it feel…
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Review of ‘Dear Jack, Dear Louise’: “Letter-based romance doesn’t correspond with its potential”

London’s Arcola Theatre presents the revival of Ken Ludwig’s epistolary two-hander. Guillermo Nazara shares his views on the show to let us know if this post-depression love story suffers from any delivery fails. Love. Love changes everything. Don’t worry. It’s not that show. Thank goodness it isn’t. There will be romance, though. Actually, that’s the…
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Review of ‘Flyby’: “Intricate score shoots for the stars despite narrative black hole”

London’s Southwark Playhouse presents the world premiere of Theo Jamieson’s romantic musical, featuring a cast of A-list West End performers. Guillermo Nazara shares his views on the show to let us know if, like its protagonist, this unusual recount has left him lost in space. Here comes another musical about love. And just like many…
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Review of ‘TWO’ (Park Theatre, 2026): “Intoxicating comedy serves audiences a bottomless round of laughter”

Following its inaugural run at the Greenwich Theatre, the latest revival Jim Cartwright’s spirited play transfers to the Park for a limited three-week run. Guillermo Nazara shares his views on the show to let us know if it should be given both barrels. It’s been over 20 years since Jim Cartwright’s play raised a first…
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Review of ‘Riki Lindhome: Dead Inside’: “Motherhood comedy is impregnated with pathos”

The Big Bang Theory star settles at the Soho Theatre’s main stage with this one-woman piece exploring her real-life struggles with pregnancy through humour and musical theatre. Guillermo Nazara shares his views to let us know if this newly born show is everything audiences are expecting. There’s only one thing that sucks worse than parenting.…
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Kellie Shirley talks new comedy play ‘TWO’: “It’s an actor’s dream”

Following the success of its inaugural run, the play transfers to London’s Park Theatre until the end of April, reuniting the EastEnders and In The Long Run star with his partner in crime, Peter Cauldfield, in a lively semi-immersive performance set in a working-class pub. Guillermo Nazara chats with the actress to learn more about…
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Riki Lindhome talks new one-woman show ‘Dead Inside’: “The more these experiences are spoken about honestly, the less isolating they become”

Known for her acting work in hit shows such as Wednesday and Big Bang Theory, the TV star arrives in the London scene with a personal piece exploring pregnancy loss, adoption, and surrogacy. Guillermo Nazara chats with the writer and performer to learn more about the gestation of the show and how she’s turned all…
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Review of ‘This Is Not About Me’: “Heartless romance doesn’t have a pulse”

London’s Soho Theatre presents this new two-hander exploring the explosive relationship between two young lovers. Guillermo Nazara shares his views on the show to let us know if its passionate narrative needs to patch anything up. There was only one single line that resonated with me throughout the entire performance. A brief incident, but no…
