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    • Guillermo Názara
  • Review of ‘The Lehman Trilogy’: “A triumph at all costs”

    Review of ‘The Lehman Trilogy’: “A triumph at all costs”

    The National Theatre’s celebrated production returns to the West End for a new limited-running season featuring a whole new cast. Guillermo Nazara shares his views on the show, to let us know if this enterprisimg recount about the financial pioneers manages to pay off. It’s the oldest story in the book that’s set to put…

    guillermonazarareverter

    11 October, 2024
    English contents, Reviews
    aaron khron, andrew lloyd webber, anyssa neumann, ben power, capitalism, cat beveridge, crisis, es devlin, howard w overshown, john heffernan, lehman brothers, lehman trilogy, lloyd webber theatres, luke halls, lw theatres, national theatre, neal street productions, really useful group, sam mendes, stefano massini
  • Review of ‘The Hills of California’: “A boulevard of broken dreams”

    Review of ‘The Hills of California’: “A boulevard of broken dreams”

    Author Jez Butterworth and director Sam Mendes reunite onstage through the world premiere of Butterworth’s first play in the last seven years. Guillermo Nazara shares his views on the show, to let us know if its tragic plot dealing with a dysfunctional family is actually the weak sister. How far would you go to make…

    guillermonazarareverter

    9 February, 2024
    English contents, Reviews
    blackpool, Bryan Dick, Corey Johnson, harold pinter theatre, Helena Wilson, Jez Butterworth, Laura Donnelly, Leanne Best, new play, Ophelia Lovibond, Richard Lumsden, sam mendes, Shaun Dooley, the hills of california, west end
  • Review of ‘The Motive and The Cue’: “God hath given you one face, and you make yourself another”

    Review of ‘The Motive and The Cue’: “God hath given you one face, and you make yourself another”

    The most successful Hamlet production in Broadway’s history returns to the stage through this blaring depiction of how it all came together. Guillermo Nazara shares his views on the show, to let us know if this forceful battle of talent and egos manages to crack a heart. There’s no bigger drama in the theatre that…

    guillermonazarareverter

    27 December, 2023
    English contents, Reviews
    acting method, backstage, broadway, elizabeth taylor, hamlet, hamlet broadway, hollywood, jack thorne, john gielgud, Johnny Flynn, mark douet, Mark Gatiss, method acting, national theatre, noel coward, richard burton, sam mendes, shakespeare, the motive and the cue, Tuppence Middleton, west end, william shakespeare
  • Review of ‘Lehman Trilogy’: “They knew how to tease our greed”

    Review of ‘Lehman Trilogy’: “They knew how to tease our greed”

    The rise and fall of the company that held dominion on the world’s economic fate gives a full testimony on the West End stand – through the acclaimed words of Stefano Massini in this revised production by the National Theatre. Guillermo Nazara reviews Ben Power’s adaptation of one the most praised plays in the last…

    guillermonazarareverter

    14 February, 2023
    English contents, Reviews
    andrew lloyd webber, ben power, blue spruce productions, dominic bilkey, es devlin, gillian lynne theatre, hadley fraser, jon clark, lehman brothers, lehman trilogy, luke hallis, lw theatres, michael balogun, musical, musical theatre, national theatre, neal street productions, nigel lindsay, nik powell, play, political play, ravi aujla, sam mendes, stefano massini, trafalgar entertainment, west end

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