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Review of ‘The Mad Ones’: “Insane voices, but not crazy about the whole thing”
Following its initial run at Birmingham’s Old Join Stock, the production has pulled the brakes at London’s The Other Palace, playing at the Studio Theatre until the start of next month. Guillermo Nazara shares his views on the show, to let us know if this road-trip-themed musical ended up driving him up the wall. Nothing’s…
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Review of ‘The Magic of Animation’: “Accidentally in love”
West End Does returned to the Cadogan Hall last weekend, bringing the third instalment of its star-studded concert series. Guillermo Nazara shares his views on the show, to let us know if this theatrical homage to the soundtrack of our childhood was either part or out of this world. Regardless of how much the company…
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Review of ‘Scenes From A Repatriation’: “The early, early morning of the dragon”
The Royal Court hosts the world premiere of Joel Tan’s latest play, exploring the subject of historical reparation through a critical point of view. Guillermo Nazara shares his views on the show, to let us know if its thought-provoking narrative, set around an ancient Chinese monument, left him in a state of Confucius. History is…
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Writer and director Sam Cochrane talks the return of family musical ‘Scouts!’: “Some of my favourite memories were audience members showing off their musical theatre talents”
The show returns to the stage for its third run, in a revised version featuring new scenes and numbers, as well as some recent additions to its cast. Guillermo Nazara chats with one of its creators, to learn more about the development of a piece that’s giving audiences a different kind of cabin fever. How…
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Review of ‘The Great Gatsby, The Musical’: “Nouveau-riche staging meets old-sport storytelling”
F. Scott Fitzgerald’s literary classic lands on the London stage, in a limited-running production starring some of the biggest names in the West End. Guillermo Nazara shares his views on the show, to let us know if the highly anticipated musical extravaganza ends up being a valley of ashes. I’ll be honest with you –…
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West End stars Stevie Doc and Tobias Turley talk upcoming concert ‘Here We Go Again’: “Definitely expect the unexpected”
Following their rise to stardom in the TV competition I Have A Dream and lead performances in the London production of Mamma Mia!, the couple reunites onstage for a special concert, playing at the Cadogan Hall for one night only. Guillermo Nazara chats with both singers – to learn more about their artistic journey and…
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Review of ‘Ghosts’: “Grave matters don’t spirit away in this still haunting reimagining”
Ibsen’s masterpiece relives on the London stage through this modern-day interpretation, playing at the Lyric Hammersmith until next month and starring Callum Scott-Howells and Victoria Smurfit. Guillermo Nazara shares his views on the show, to let us know if this new revision manages to capture the author’s essence or turns out to be an embarrassing…
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In conversations with the cast and creatives of ‘We Aren’t Kids Anymore’
Drew Gasparini’s latest creation arrives to the West End scene, featuring a star-studded cast playing for one day only at the Savoy Theatre. Guillermo Nazara chats with the entire team, to learn more about the development of this new heart-warming, coming-of-age musical – and giving us an exclusive sneak peek at what’s happening in the…
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Review of ‘Manhunt’: “Open fire”
The Royal Court hosts the world premiere of Robert Icke’s latest play, exploring the motivations of infamous spree-killer Raoul Moat. Guillermo Nazara shares his views on the show, to let us know if he ended up being shot from it. Men don’t cry. Men don’t feel pain. Men don’t complain. Men can’t be victims. Modern…
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Review of ‘Cassidy Janson Live At The Vaudeville’: “Natural woman, you make me feel”
The Olivier-winning actress gave a one-night-only solo concert at the Vaudeville Theatre last night, featuring a repertoire made of the songs that have defined her two decades over the boards. Guillermo Nazara shares his views on the show, to let us know if the earth moved through this raucous performance. She was congested. She was…
