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Review ‘Eggs Aren’t That Easy To Make’:”Scrambled narrative leads to audience’s hard-boiled reaction”
London’s Riverside presents this play exploring new parenthood through the lens of an atypical household. Guillermo Nazara shares his views on the show to let us know if its yolked premise comes out half-baked or poached. I don’t know what it is, but it seems like the subject of pregnancy is getting momentum in the…
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Review of ‘TWO’ (Park Theatre, 2026): “Intoxicating comedy serves audiences a bottomless round of laughter”
Following its inaugural run at the Greenwich Theatre, the latest revival Jim Cartwright’s spirited play transfers to the Park for a limited three-week run. Guillermo Nazara shares his views on the show to let us know if it should be given both barrels. It’s been over 20 years since Jim Cartwright’s play raised a first…
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Review of ‘Riki Lindhome: Dead Inside’: “Motherhood comedy is impregnated with pathos”
The Big Bang Theory star settles at the Soho Theatre’s main stage with this one-woman piece exploring her real-life struggles with pregnancy through humour and musical theatre. Guillermo Nazara shares his views to let us know if this newly born show is everything audiences are expecting. There’s only one thing that sucks worse than parenting.…
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Kellie Shirley talks new comedy play ‘TWO’: “It’s an actor’s dream”
Following the success of its inaugural run, the play transfers to London’s Park Theatre until the end of April, reuniting the EastEnders and In The Long Run star with his partner in crime, Peter Cauldfield, in a lively semi-immersive performance set in a working-class pub. Guillermo Nazara chats with the actress to learn more about…
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Review of ‘John Proctor Is The Villain’: “Revisionist play is a crucible of ideas, but the narrative is a witch’s brew”
Following the success of its original Broadway run, London’s Royal Court presents Kimberly Belflower’s modern exploration of Arthur Miller’s classic. Guillermo Nazara shares his views on the show to let us know if its execution is hanging by a thread. I still think Abigail Williams is the bad guy. In other words, we could confidently…
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Review of ‘Choir Boy’: “Socially vocal story needs to breathe”
The critically acclaimed coming-of-age play arrives in the London scene for a limited run, playing until the end of April. Guillermo Nazara shares his views on the show to let us know if this heartening story of friendship, discrimination, and resilience is likely to sing. There’s a lot to take from this play. Some good…
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Review of ‘In The Print’: “Indelible drama doesn’t bleed enough poignancy”
London’s King’s Head Theatre presents this historical play depicting the conflict between Rupert Murdoch and the printers’ unions. Guillermo Nazara shares his views on the show to let us know if its execution is anywhere near ink-credible. I’m no fan of Rupert Murdoch. I don’t think anyone who’s been educated by The Simpsons is. And…
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Riki Lindhome talks new one-woman show ‘Dead Inside’: “The more these experiences are spoken about honestly, the less isolating they become”
Known for her acting work in hit shows such as Wednesday and Big Bang Theory, the TV star arrives in the London scene with a personal piece exploring pregnancy loss, adoption, and surrogacy. Guillermo Nazara chats with the writer and performer to learn more about the gestation of the show and how she’s turned all…
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Review of ‘Lifeline’: “Powerful germ doesn’t lead to an infectious show”
The Southwark Playhouse presents the world premiere of this new Scottish musical about past and modern-day medicine. Guillermo Nazara shares his views on the show to let us know if this love letter to the health services made him sick. I swear to God that I don’t mean to crucify anyone with this review. Even…
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Review of ‘Kinky Boots’ (2026, London Coliseum): “Well-heeled spectacle isn’t laced with narrative deftness”
Cyndi Lauper and Harvey Fierstein’s hit musical treads the West End boards for the first time since its original run in this new production starring Johannes Radebe and Matt Cardle. Guillermo Nazara shares his views on the show to let us know if this sole-ful celebration of individuality is still the most beautiful thing in…
