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Review of ‘Death Note’: “On its way to slay it”
London’s West End goes otaku with the European premiere of this new manga-based musical. Guillermo Nazara shares his views on the show, to let us know if its killer storyline actually took his breath away. What would you do if you could decide upon who lives and who dies? It may sound crazy, but we’ve…
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Review of ‘The Crucible’: “The past is never passed”
Arthur Miller’s historical classic lands on the West End with the return of the National Theatre’s revival production. Guillermo Nazara shares his thoughts on this haunting play dealing with the powers of deception and fanaticism, to let us know if this actually is one hell of a show. Never before has Satan been closer. Or…
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Elizabeth Newman discusses The Pitlochry Festival: “The companies of actors will make these productions very special”
As the summer season approaches, Scotland’s only repertory theatre prepares from one of its most intricate and exciting runs. Guillermo Nazara chats with its Artistic Director about this year’s programming, to learn the most interesting facts about an offer suiting almost all genres and audiences.
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Review of ‘My Son’s A Queer’: “A million lives story”
Tears and laughs shake the stage in this proud celebration of truthfulness and individuality. Guillermo Nazara reviews this new production which has lately become one of the hottest shows in the West End, to let us know if all the gossip is as fair as its bitchy tongue.
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Feature: When London looked to the Eastern sky
Last month, the Royal Court Theatre world-premiered a set of three original pieces in association with Tokyo’s New National Theatre, in an unprecedented collaboration between both venues. Guillermo Nazara offers us an insight look at this intricate venture, upon interviewing its dramaturgs and artistic directors, to guide us into the depths of this innovative project…
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Review of ‘The Unfriend’: “The divine comedy”
The spooks and the scares have been replaced on the boards of London’s Criterion Theatre for the laughs and feel-good vibe of a most delightful serial killer. Guillermo Nazara reviews this new comedy now playing in the West End for a strictly limited run, to let us know if the victims of this show lie…
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Michael Duke talks ‘Get Up, Stand Up’: “Freedom drove Bob Marley as a human and an artist”
Every night, London’s Lyric Theatre is transformed into a world of hate and injustice won over by a message of peace and love – shouted through Jamaican reggae hearts. Though long (and too early) gone, Bob Marley’s pressence still stands strongly in the West End thanks to Get Up, Stand Up, the musical depicting the…
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El Fernán Gómez estrena una ambiciosa producción de Lope de Vega
La Sala Guirau abre su escena a Peribáñez y el Comendador de Ocaña, una de las obras más famosas del autor del Siglo de Oro. Dirigido por Eduardo Vasco, el montaje pretende acercar los textos clásicos al público general, cuyos valores todavía son muy próximos a la actualidad. La producción, además, cuenta con un extenso…
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‘The Show Must Go On’ to be broadcast on Sky Arts
The internationally acclaimed concert will be available on Freeview Channel 11 during the next two weeks – offered in three different time slots. Hosted by musical theatre legends Bonnie Langford and Trevor Dion, the gig features some of London’s finest performers in a rendition of some of the most iconic West End shows. The production, which…
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Santi Senso retoma su último Acto Íntimo en el Teatro del Arte
Tras su regreso de Latinoamérica, el actor recupera su obra más crítica con la sociedad. El montaje, que recibió una gran acogida por parte del público, se representará durante tres únicas funciones antes de iniciar su gira. Esta nueva temporada cuenta con cambios de elenco, guion y escenografía para crear su versión más sorprendente.
