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Review of ‘Wicked’: “Let’s go down to the Ozdust ballroom”
The most swankified musical in town continues to enthrall audiences from all over the world at London’s Apollo Victoria. Guillermo Nazara gives us his thoughts on this long-running production about to celebrate 17 years in the West End, to let us know if the show’s greenifying tone still means go. For good… It may be…
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Review of ‘Betty Blue Eyes’: “Happy as a pig in the mud”
Stiles and Drewe’s farcical musical returns to London in its firs-ever revival since the original West End production over a decade ago. Guillermo Nazara shares his thought on this comedy set during the starvation times of World War II, to let us know what‘s to expect this highly boar-ing show.
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Review of ‘Berlusconi’: “E la Madonna!”
Il Cavalieri becomes a Prima Donna in this original musical having its world premiere at the Southwark Playhouse’s newly opened venue. Guillermo Nazara gives us his thoughts on the show upon his attendance to the opening night, to share all the details about a man so over-the-top even the Romans would ban.
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Review of ‘Killing The Cat’:”Ideas aren’t just enough”
London’s iconic Riverside Studios host the world’s first run of this original musical about the conflicts between reason and faith. Guillermo Nazara reviews this show starring Madalena Alberto and Tim Rogers, to let us know his thoughts about a this romantic comedy dealing with a deeper philosophical tone.
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Review of ‘The Great British Bake Off Musical’: “The proof is in the pudding”
One of the most anticipated shows of the season made its West End debut last night, in a star-studded event supporting a legendary cast-filled production. Guillermo Nazara reviews this new original music based on one the most successful realities in British television, to let us know if this sweet attempt has turned out to be…
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Review of ‘Oklahoma!’: “Change in all things is bittersweet”
Rodgers and Hammerstein’s revolutionary masterpiece comes back to the West End in an unconventional production following its first Broadway and Young Vic runs. Guillermo Nazara reviews this original take on the ageless classic, to let us know what’s new in one of the most popular and performed shows of all time.
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Review of ‘The Winter’s Tale’: “Twisted as life”
Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.
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Cirque du Soleil’s latest show to become its most successful production in London
Only two weeks away from concluding its run at the Royal Albert Hall, this new montage has already sold over 200 thousand tickets. Inspired by the aesthetics of the Victorian era, this incredible display of talent and spectacularity features, among others, 6 new acts never seen before in the UK.
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Review of ‘My Son’s A Queer’: “A million lives story”
Tears and laughs shake the stage in this proud celebration of truthfulness and individuality. Guillermo Nazara reviews this new production which has lately become one of the hottest shows in the West End, to let us know if all the gossip is as fair as its bitchy tongue.
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Review of ‘Unexpected Twist’: “The performance is everything”
Charles Dicken’s beloved classic is revamped for the 21st century in this new musical adaptation of Michael Rosen’s children’s novel. Guillermo Nazara reviews the show upon his attendance to its world premiere in Northampton, to share his thoughts about a piece whose original plot seems to be more current now than never before.
