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Review of ‘Oklahoma!’: “Change in all things is bittersweet”
Rodgers and Hammerstein’s revolutionary masterpiece comes back to the West End in an unconventional production following its first Broadway and Young Vic runs. Guillermo Nazara reviews this original take on the ageless classic, to let us know what’s new in one of the most popular and performed shows of all time.
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Review of ‘The Winter’s Tale’: “Twisted as life”
Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.
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Cirque du Soleil’s latest show to become its most successful production in London
Only two weeks away from concluding its run at the Royal Albert Hall, this new montage has already sold over 200 thousand tickets. Inspired by the aesthetics of the Victorian era, this incredible display of talent and spectacularity features, among others, 6 new acts never seen before in the UK.
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Review of ‘My Son’s A Queer’: “A million lives story”
Tears and laughs shake the stage in this proud celebration of truthfulness and individuality. Guillermo Nazara reviews this new production which has lately become one of the hottest shows in the West End, to let us know if all the gossip is as fair as its bitchy tongue.
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Review of ‘Unexpected Twist’: “The performance is everything”
Charles Dicken’s beloved classic is revamped for the 21st century in this new musical adaptation of Michael Rosen’s children’s novel. Guillermo Nazara reviews the show upon his attendance to its world premiere in Northampton, to share his thoughts about a piece whose original plot seems to be more current now than never before.
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Owen Chaponda and Merryl Ansah talk Disney’s ‘The Lion King’ in the West End: “It’s uplifting, it’s heartbreaking”
As the sun continues to shine high in the London savannah, a new circle of life unrolls on the stage of the Lyceum with the arrival of its new leads. Guillermo Nazara chats with the two actors now portraying the iconic roles of Simba and Nala, to discuss the most interesting facts about the record-breaking…
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Review of ‘Lehman Trilogy’: “They knew how to tease our greed”
The rise and fall of the company that held dominion on the world’s economic fate gives a full testimony on the West End stand – through the acclaimed words of Stefano Massini in this revised production by the National Theatre. Guillermo Nazara reviews Ben Power’s adaptation of one the most praised plays in the last…
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Disney’s ‘Winnie The Pooh, The Musical’ announces full cast ahead of London and tour openings
The show will play for a limited run at the Riverside Studios, before embarking on a UK and Ireland tour throughout the summer. Featuring impressive puppetry, the production will include the franchise’s iconic songs penned by the Sherman Brothers, as well as a new underscore and storyline.
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Review of Cirque du Soleil’s ‘Kurios’: “De la scène a la lune”
The bronze allure of French 1800s steampunk lures within the walls of London’s Royal Albert Hall – through this new production by one the most highly regarded companies in the world. Guillermo Nazara reviews this montage of artistic awe and gifted oddities, to let us know what awaits in one of the most anticipated shows…
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Crítica de ‘SIX’: “Rey y campesino”
El musical de culto sigue arrastrando al público de todo el país a su pequeño castillo en la calle principal del West End londinense. Guillermo Nazara repasa la noche mediática de este espectáculo de jukebox protagonizado por las (en su mayoría) malogradas esposas de Enrique VIII, para hacernos saber si se trata de una producción…
