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Review of ‘Mrs. Doubtfire’: “She knows how to clear up a mess”
The most authentic pretense baby-sitter returns to her motherland to share the fun, laughter and a few punishments with her West End poppets. Guillermo Nazara gives us his thoughts on the musical adaptation of one the most popular family film classics ever made, to let us know if the show is actually a nanny goat.…
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Review of ‘The Pillowman’: “A suffocating thrill”
Martin McDonagh’s uncanny comedy lands on the West End for the first time in this limited running production starring Lily Allen and Steve Pemberton. Guillermo Nazara shares his thoughts on this stirring show exploring the limits of free speech, to let us know how much cancellation this piece deserves. “You only write what you know…
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Review of ‘The Crucible’: “The past is never passed”
Arthur Miller’s historical classic lands on the West End with the return of the National Theatre’s revival production. Guillermo Nazara shares his thoughts on this haunting play dealing with the powers of deception and fanaticism, to let us know if this actually is one hell of a show. Never before has Satan been closer. Or…
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Review of ‘Broken Toys’: “There’s more ground to break”
The feel of Pride Month inundates the Cervantes Theatre with this LGBT-themed play dealing with the trials and tribulations that takes just to be one’s true self. Guillermo Nazara shares his views on this production, to let us know more about a show exploring a basic right that’s currently at stake. What did you dream…
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Review of ‘Tipsy’: “Let’s get those nails more polished”
The Cockpit Theatre hosted the world premiere of this new comedy reflecting upon the harshness of our everyday through gleam, colour and a bit of acetone. Guillermo Nazara shares his views on this surreal tale taking place amidst the chaos of a beauty salon, to let us know if their services deserved a complaining form…
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Review of ‘Cinderella In The Round’: “That’s the wish her heart made”
Prokofiev’s luscious ballet soars over its own fantasy in this lavish production by the ENB. Guillermo Nazara shares his thoughts on this extravagant montage depicting one of the most famous fairy tales ever told, to let us know if magic was eventually made at the ball last night. There are many kinds of Cinderella. The…
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Review of ‘Spitting Image – Idiots, Assemble’: “They all are dummies”
The most copycat show on TV jumps to the West End stage in this flamboyant production featuring all of your favourite(ish) celebrities. Guillermo Nazara shares his thoughts on the musical, to let us know if the montage is either sputtering or worth drooling over. F*CK OFF. Oh, I just love it when a show acknowledges…
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Review of ‘All of it’: “There was even more”
Kate O’Flynn stars in this puzzling show featuring three plays in one, exploring the oddities of our own existence through new unusual points of view. Guillermo Nazara shares his thoughts on this production running at the Royal Court Theatre for a strictly limited period, to tell us all about a montage that, regardless in which…
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Review on ‘Paper Cut’: “As sharp as its name”
The Park Theatre hosts the UK premiere of this striking play dealing with the scars of a past impossible to leave behind. Guillermo Nazara shares his views on the production, to let us know more about this show reassembling the pieces of a broken soul. What’s the real meaning of love? Too many songs and…
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Review of Jazz Arts Rewired: “Passion on a passion”
The BOP Jazz Theatre Company presented this one-night-only event exploring the possibilities of dance and music through the merging of tradition and contemporary. Guillermo Nazara shares his thoughts on the festival, to gives all the details about production introducing some of the mos promising new talent in the genre. “What is jazz?”, a simple question…
