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Review of Frantic Assembly’s ‘Othello’: “In search for the immortal Shakespeare”
The bard’s most iconic work about mischievous friendship and envy’s destructive feelings is reborn in a new version currently playing at the Lyric Hammersmith until mid-February. Guillermo Nazara shares his thoughts on the production, to let us know if one of the author’s greatest and most famous classics has been properly treated.
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Review of ‘The Unfriend’: “The divine comedy”
The spooks and the scares have been replaced on the boards of London’s Criterion Theatre for the laughs and feel-good vibe of a most delightful serial killer. Guillermo Nazara reviews this new comedy now playing in the West End for a strictly limited run, to let us know if the victims of this show lie…
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Review of ‘Moulin Rouge’: “Diamonds are this show’s best friend”
The scent of la vie boheme infects the boards of the Picadilly Theatre through the stage adaptation of one of the most popular movie musicals in the last 20 years. Guillermo Nazara reviews the production and new cast of one of West End’s latest jukebox acquisitions, to let us know if this the kind of…
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Review of ‘Allegiance’: “A beacon of intentions”
George Takei’s semi-biographical musical lands on the West End upon its previous first runs both on Broadway and across the US. Guillermo Nazara reviews this new original piece dealing with the aftermath of war and racism, to share his thoughts about a work that aims to do justice to the spirits of thousands of people…
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Review of Cirque du Soleil’s ‘Kurios’: “De la scène a la lune”
The bronze allure of French 1800s steampunk lures within the walls of London’s Royal Albert Hall – through this new production by one the most highly regarded companies in the world. Guillermo Nazara reviews this montage of artistic awe and gifted oddities, to let us know what awaits in one of the most anticipated shows…
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Review of ENB’s ‘Swan Lake’: “A treasure to the heart”
Tchaikovsky’s worldwide admired masterwork returns to the London Coliseum for a limited run in an old-fashioned style production by the English National Ballet. Guillermo Nazara shares his thoughts on this montage bringing back the ultimate classic of the genre, to let us know if this new recount on the the timeless fairy tale is a…
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Review of ‘SIX’: “King and peasant”
The cult musical continues to drag audiences from all over the country to its little castle on the high street of London’s West End. Guillermo Nazara reviews the media night of this show starring Henry VIII’s (mostly) ill-fated wives, to let us know if this is a production worth losing your head for.
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Review of ‘Salt Water Moon’: “To every shattered love wish”
Chelsea’s Finborough Theatre opens its 2023 season with the UK premiere of David French’s critically acclaimed play. Guillermo Nazara reviews this piece about a formerly engaged couple reuniting after their abrupt estrangement, to let us know if this classic work is worth to fall in love with.
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Review of Birmingham Royal Ballet’s ‘The Nutcracker’: “Beauty is the word”
The most Christmassy theatre tradition continues to charm audiences during the holidays through its many productions across town. Guillermo Názara reviews one the company’s signature montages, playing for a limited run at London’s Royal Albert Hall – to let us know if the lavishness of the score is matched by those daring to perform it.
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Review of ‘The Nutcracker’: “The spell can’t be broken”
Tchaikovsky’s most family-beloved masterwork returns to many corners of the London scene for the Christmas season. Guillermo Názara reviews the English National Ballet’s take on this charming fairy tale featuring one of the most popular scores in classical music History, to let us know if this holiday treasure has been properly guarded.
