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‘The Phantom of the Opera’ releases new London production images and extends booking
The show has launched a new set of pictures featuring both both new cast and ongoing cast members as well as its impressive set design. With music by Andrew Lloyd Webber and coreographies by Gillian Lynne, the musical tells the tragic story of a deformed genius madly in love with a young soprano whose heart…
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“The Phantom of the Opera” – An unmasked homage
The longest-running musical in Broadway history will be pulling its curtain down forever next February, leaving behind 35 years dominating the New York scene. In tribute to the success and allure of Andrew Lloyd Webber’s most acclaimed piece of entertainment, we go around the flashes of a glimmering life shining through the dark.
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“El Fantasma de la Ópera” – Desenmascarando un homenaje
El musical más longevo de la historia de Broadway bajará el telón para siempre el próximo mes de febrero, dejando atrás 35 años dominando la escena neoyorquina. En homenaje al éxito y al encanto de la obra más aclamada de Andrew Lloyd Webber, recorremos los destellos de una vida que brilla en la oscuridad.
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London production of ‘The Phantom of the Opera’ announces new cast
Andrew Lloyd Webber’s internationally acclaimed musical has confirmed two new members for the main cast. Joining the 2021 performing team, Matt Blaker will step in as Raoul while Kelly Glypstis will play Carlotta. Featuring the essence of the brilliant original, directed by Harold Prince and coreographed by Gillian Lynne, the show includes new creative inputs…
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La producción londinense de ‘El fantasma de la ópera’ anuncia un nuevo reparto
El internacionalmente aclamado musical de Andrew Lloyd Webber ha confirmado dos nuevos miembros para el reparto principal. Matt Blaker se unirá al equipo de actores de 2021 para interpretar a Raoul, mientras que Kelly Glypstis interpretará a Carlotta. Con la esencia del brillante original, dirigido por Harold Prince y coreografiado por Gillian Lynne, el espectáculo…
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Review of ‘Les Misérables’: “There’s still a tomorrow to be sung”
The longest-running musical in West End’s history continues to invite audiences from all over the world to join the barricades. Guillermo Názara tells us about his experience watching the new production of Boublil and Schoenberg’s internationally renowned masterpiece, to let us know if the dream can still be dreamed.
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Crítica de ‘Los Miserables’: “Todavía hay un mañana que cantar”
El musical más duradero de la historia del West End sigue invitando al público de todo el mundo a unirse a las barricadas. Guillermo Názara nos cuenta su experiencia viendo la nueva producción de la internacionalmente conocida obra maestra de Boublil y Schoenberg, para hacernos saber si el sueño aún puede ser soñado.
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Review of ‘The Phantom of the Opera’: “Hauntings are still a thing of the dark”
35 years after its official premiere, Andrew Lloyd Webber’s best-know musical received a major overhaul at his home place – with a revised production featuring some different sets and other modifications. Guillermo Názara reviews below the show’s updated look, to let us know about the new sound of the music of the night.
