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    • Guillermo Názara
  • Alfredo Noval habla de ‘La Vida es Sueño’: “No tenemos miedo a la muerte, tenemos miedo a no existir”

    Alfredo Noval habla de ‘La Vida es Sueño’: “No tenemos miedo a la muerte, tenemos miedo a no existir”

    El Siglo de Oro del teatro español da un giro británico esta semana con la llegada de esta nueva producción que se representa durante cinco únicas funciones en el Barbican de Londres. Guillermo Nazara habla con su protagonista, Segismundo, para saber más sobre este espectáculo que recupera la obra que definió una era.

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    12 April, 2023
    Contenido en español, Entrevistas
    alfredo naval, barbican, classic, classical theatre, golden age, la vida es sueño, life is a dream
  • Alfredo Noval talks ‘Life is a Dream’: “We’re not afraid of death, we’re afraid of not existing”

    Alfredo Noval talks ‘Life is a Dream’: “We’re not afraid of death, we’re afraid of not existing”

    The Golden Age of Spanish theatre takes a British turn this week with the arrival of this new production playing for five single performances at London’s Barbican. Guillermo Nazara talks to its lead actor, performing in the role of Segismundo, to learn more about this show bringing back the piece that defined an era.

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    12 April, 2023
    English contents, Interviews
    alfredo naval, barbican, classic, classical theatre, golden age, la vida es sueno, life is a dream
  • Review of ‘The Winter’s Tale’: “Twisted as life”

    Review of ‘The Winter’s Tale’: “Twisted as life”

    Shakespeare’s late classic brings back the drama, comedy and ambiguity to its birthplace through this new production staged at the venue’s two playhouses. Guillermo Nazara reviews Sean Holmes’s reenvisioned take, to share his thoughts about this revised adaptation on one of the bard’s most debated works.

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    23 February, 2023
    English contents, Reviews
    beruce khan, bohemia, classical theatre, classics, colm gormely, comedy, dance, drama, ed gaughan, englis heritage, george robinson, historical, historical theatre, jacoba williams, john lightbody, london, musical, musical theatre, nadine higgin, open air theatre, samuel creasey, sarah slimani, sean holmes, sergo vares, shakespeare, shakespeare's globe, sicily, spoof, the globe, theatre, toby barnett jones, tragedy, west end, winter's tale
  • Review of ‘The Importance of Being Earnest’: “Some icons are worth a tweak “

    Review of ‘The Importance of Being Earnest’: “Some icons are worth a tweak “

    One of the most successful classics in British theatre history returns to the scene in a new fresh version now arriving to Kingston’s Rose Theatre after touring around the UK. Guillermo Nazara reviews this updated take on Wilde’s most popular comedy, to let us know what’s to expect in the most beloved mad house of…

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    3 November, 2022
    English contents, Reviews
    abiola owokonira, adele james, anita reynolds, christopher haydon, classical theatre, daniel jacob, denzel westley sanderson, drag queen, gay, hanson, joanne henry, justice ritchie, leeds playhouse, lgbt, lgbtq, london, off west end, oscar wilde, phoebe campbell, the importance of being ernest, valentine, west end
  • Crítica de ‘The Importance of Being Earnest’: “Algunos iconos merecen un retoque”

    Crítica de ‘The Importance of Being Earnest’: “Algunos iconos merecen un retoque”

    Uno de los clásicos más exitosos de la historia del teatro británico vuelve a escena en una nueva y fresca versión que llega al Rose Theatre de Kingston después de haber estado de gira por todo el Reino Unido. Guillermo Nazara revisa esta versión actualizada de la comedia más popular de Wilde, para que conozcamos…

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    3 November, 2022
    Contenido en español, Críticas
    abiola owokonira, adele james, anita reynolds, christopher haydon, classical theatre, daniel jacob, denzel westley sanderson, drag queen, gay, hanson, joanne henry, justice ritchie, leeds playhouse, lgbt, lgbtq, london, off west end, oscar wilde, phoebe campbell, the importance of being ernest, valentine, west end
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