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Review of ‘Artificially Yours’: “Inorganic humanity”
Leslie Ash stars in this new play exploring modern relationships in a digitalized word – penned by first-time author Aaron Thakar. Guillermo Nazara shares his views on the show, to let us know if this droll comedy about machines taking over our love lives deserves to have its plug pulled. If you push too hard,…
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Review of ‘Honey Badger’: “There’s a pulse, but still not a beat”
The Cockpit Theatre welcomes this experimental one-man show led by internationally renowned director Roberta Carreri, coming all the way from Denmark’s Nordisk Teaterlaboratorium. Guillermo Nazara shares his views on the show, to let us know if this display of crumbling emotions really brings the house down. Families are not the people we’re born to, but…
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Review of ‘Deaf As A Post’: “It’s finding its tone”
War and laughter come to the front in this new fringe comedy arriving in London after its original run in Northern Ireland. Guillermo Nazara shares his views on the show, to let us know if this dystopian farce also raising awareness on a different everyday reality was actually music to his ears. How many times…
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Olivia Miller talks ‘Bloody Mary: Live!”: “People can be both victim and villain”
One of the most controversial figures in the British monarchy returns to the throne in this one-woman show promising, at least, a good execution. Guillermo Nazara chats with its performer and writer, to learn all the fun facts about this piece playing with fire in every possible sense. What prompted you to write a show…
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Review of ‘Still Life with Onions’: “Un-tangy-able taste”
The Barons Court Theatre welcomes the world premiere of this new play dealing with the aftermath of war in the lives of everyday people. Guillermo Nazara shares his views on the show, to let us know if the piece gets to make the cut by a canvas. It is not only the living who are…
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Review of ‘Marry Me A Little’: “Being alive”
London’s West End celebrates the opening of a new intimate theatre with the return of this rep revue about urban relationships, putting together some of Sondheim’s most beloved tunes. Guillermo Nazara shares his views on the show, to let us know if this affiancing piece is something better to separate from. I don’t like Sondheim.…
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Review of ‘A Song For Ella Grey’: “The uncharted melody”
David Almond’s young adult best-seller turns its myth into a stage reality through this new adaptation by the Pilot Theatre Company, currently touring across the UK. Guillermo Nazara shares his views on the show, to let us know if its discordant narrative was actually music to his ears. Lore dwells within ourselves. It’s either a…
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Review of ‘Shifters’: “Undefined terms”
Passion, distress and heartbreak clash in this explosive tale about two souls building a special bond that will remain unbroken all through their lifetime. Guillermo Nazara shares his views on the show, to let us know if its romantic narrative is worth the engagement. Love is in the air… And it’s DISGUSTING! I mean… Yeah,…
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Review of ‘Spider’: “Venom and silk”
The Riverside Studios host the return of this new play directed and written by Jude Benning, performed in an abridged version as part of the venue’s Bitesize Festival. Guillermo Nazara shares his views on the show, to let us know if its crude narrative can make you get the bug. There’s a strong chance that…
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Review of ‘After All These Years”: “All in good time”
The Theatre at the Tabard hosts the London transfer of the latest Outstanding Theatre Award–winner at the Brighton Fringe Festival. Guillermo Nazara shares his views on this show exploring regret, sacrifice and the pursue of happiness, to let us know if its about elderly love preserves an old flame. Wanna know a secret? Promise not…
