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Review of ‘Elephant’: “Unresolved harmonies”
Love, passion and shame tune in through this discordant new play exploring the personal and cultural struggles of a young artist. Guillermo Nazara shares his views on the show, to let us know if its shrill drama hit the wrong key. We often hear that music soothes the savage beast. But actually, no other art…
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Review of ‘The Flea’: “The Eddie Horror Mixture Show “
The Yard Theatre hosts the world premiere of James Fritz’s latest play, exploring the trials and tribulations of gay men in late 19th century England. Guillermo Nazara shares his views on the show, to let us know if this is a piece worth of an itch for. Happiness is a privilege beyond any riches. And…
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Review of ‘The Diviners’: “Still not too earthly”
The People Show Company breaks it own record by staging its 145th production through a new play exploring the meaning of human existence. Guillermo Nazara shares his views on the show, to let us know if this mystic piece has been met with good omens. If the human brain were so simple that we could…
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Review of ‘The Foreigners’ Panto’: “Suella wants it out”
Tears and laughter become partners in crime in this crazy comedy about political oppression. Guillermo Nazara shares his views on the show, to let us know if this new musical piece has actually fallen out of bounds. “I was born in the wagon of a travelling show, my mama used to dance for the money…
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Review of ‘Fell’: “A brotherhood of trust”
The Barons Court Theatre hosts the London premiere of this piercing new play dealing with the struggles of two teenage outcasts. Guillermo Nazara shares his views on the show, to let us know more about this play where grief can become the road to happiness. Have you ever felt the urge to run away just…
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Review of Reboot Festival Week 2: “Kings, nobles and commoners”
The fringe scene buzzes on one single stage as this showcase of new creative talent returns to London for its third season. Guillermo Nazara shares his views on last night’s performance, to let us know all the details about four separate plays dealing with the many forms of love and attraction. I am a man…
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Review of ‘Salty Brine: Bigmouth Strikes Again’: “It gave me a creep”
Drag artist and cabaret performer Salty Brine arrives to London all the way from New York with this new montage paying homage to glam rock and classic horror. Guillermo Nazara spills his guts about this monstrous piece, to let us know what awaits in this show playing close to the witching hour. Darkness falls across…
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Review of ‘As We Face The Sun’: “The sky’s not clear yet”
The Bush Young Company presented this new play dealing with the struggles of former students sharing a haunting past. Guillermo Nazara shares his views on the show, to let us know more about this piece where loss is the path to win. Nothing builds a stronger bond than shedding the same tears… I think I’m…
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The Wardrobe Ensemble talks ‘Mog, The Forgetful Cat’: “Creating work for families grounds you in many ways”
One of the most memorable characters in children literature paws onto the stage in this original adaptation currently playing at Edinburgh Fringe Festival. Guillermo Nazara chats with the entire company about the creation and delivery of this family musical, to learn the most interesting facts about a show that promises a whisker of fun. What…
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Review of ‘Eve: All About Her’: “I detest cheap sentiment”
One of the most iconic villainesses in movie history comes to London to tell her own side of the story. Guillermo Nazara shares his views on this one-man show combining comedy with musical renditions and high drama, to let us know if this play is worth an encore du champagne. Fasten your seatbelts, it’s gonna…
